6 Best Movies To Watch After Doom (2005)
Rebel Moon - Part Two: The Scargiver
My favorite moments in Rebel Moon: Part Two - The Scargiver come during quick breaths before a plunge. In the first, warriors Tarak (Staz Nair) and Milius (Elise Duffy) come to terms with their likely imminent deaths at the hands of a smoke-spewing tank. Having spent years of his life consumed by survivor's guilt, Tarak thought having a cause to die for would be enough. It isn't. He wants to live, but he probably won't. The next best thing is to die fighting alongside a peer like Milius. In the second, Kora (Sofia Boutella) is in the midst of blasting her way through the fearsome dreadnought King's Gaze. After slaying a warrior wielding a high-tech superheated sword, she takes a moment to catch her breath. With some pilfered cloth, she wraps the blade's hilt so she can use it without burning herself. It's a moment of improvisation, providing Boutella a chance to deliver a quieter piece of physical acting that stands in contrast to brawling with a corridor of goons or swordfighting Ed Skrein's Admiral Noble. Continue Reading →
Five Nights at Freddy's
I have never played Five Nights at Freddy’s. I need to make that abundantly clear before proceeding with this review. Continue Reading →
Malignant
While we spent a lot of time debating whether or not “elevated horror” is a real thing or just something film snobs made up so they didn’t have to be embarrassed about liking a scary movie, gore fell to the wayside. There was a period when we weren’t getting an acceptable amount of blood and guts, in favor of understated chills and psychological trauma. Not that there’s anything wrong with that, of course, but it’s left something lacking in the genre. With Nia DaCosta’s take on Candyman and the upcoming Halloween Kills, however, it looks like old-fashioned look-between-the-fingers horror is back in all its splattery glory. Add to that list James Wan’s Malignant, often very silly, but always with a self-aware wink at the audience, with a body count that will satisfy even the most jaded horror fans. Continue Reading →
The Tomorrow War
It's clear from the starting gun that Paramount originally intended to push The Tomorrow War as a major summer theatrical release. But given the pandemic, Amazon Prime Video has stepped up to rollout this 140-minute sci-fi action romp starring Chris Pratt of Marvel’s Cosmic corner and Jurassic World fame. Continue Reading →
Borderlands
Samarth Mahajan’s documentary about life on India's borders is engaging, involving, and dense. Too often, filmmakers think they can make a documentary simply by picking a good subject. But the mark of a good documentary is not the importance or controversy of its subject, but the way that its filmmaker convinces their audience that the subject is worth exploring. Samarth Mahajan’s Borderlands accomplishes just this, and does so by pulling off the difficult task of spinning what could be disjointed or arbitrary subjects into a compelling thread that speaks to the history and dynamics of a region. Borderlands focuses on the communities of people who live near the different national borders of India. India is currently bordered by seven different countries – Pakistan, Nepal, Bhutan, Myanmar, China, Sri Lanka, and Bangladesh. The history of these borders is vast and dense, consisting of major wars, invasions, imperialist conquest, and political turmoil. Continue Reading →
Stay Out of the Attic
At least the title’s fun? If only the rest of this throwaway horror schlockfest could be as audacious as a curse word in a title. Stay Out of the Fucking Attic, Shudder’s latest exclusive, directed by Jerren Laudert and co-written with three other people (it only took one person to write Chinatown by the way), is a “House of Horrors” film that fails on two important levels. The house isn’t impressive, and there are no horrors to be found there. Continue Reading →