102 Best Releases From the Genre Family
Knuckles
SimilarAtomic Train, KONOSUBA – An Explosion on This Wonderful World!, La Femme Nikita, Mortal Kombat: Conquest,
Planet of the Apes Tabitha, That '70s Show, The 100, The Sarah Jane Adventures, The Young Indiana Jones Chronicles,
So. Knuckles the Echidna attends a Shabbat dinner. That isn't the start of a joke for an incredibly specific audience; that's the set-up for episode three of his new miniseries. Picking up where Sonic the Hedgehog 2 left him, the six-episode show follows the last of the Echidna Warriors on his epic, life-defining quest to define his life with something other than epic quests and grand battles. Knuckles trying to live his life as though his mission to protect the all-powerful Master Emerald was the alpha and omega of his existence only resulted in driving his foster mother, Maddie Wachowski (guest star Tika Sumpter), up the wall and getting himself grounded. So, after some prodding by Sonic (guest star Ben Schwartz) and the ghost of Echidna Chief Pachacamac (Christopher Lloyd), Knuckles gets down to figuring out who he wants to be and what he wants to do with his life.
His new purpose? Help Green Hills' goofball deputy sheriff Wade Whipple (Adam Pally) find his dignity by teaching him the ways of the Echidna Warrior so that he might apply those ways at a national bowling championship and, through struggle and glorious victory, put some ghosts from his past to rest. Their allies? Wade's loving, world-weary mom, Wendy (Stockard Channing), and his trying-way-too-hard FBI agent sister, Wanda (Edi Patterson). Their foes? A duo of rogue GUN agents (Scott "Kid Cudi" Mescudi and Ellie Taylor) who want to sell Knuckles to a Dr. Robotnik wannabe (Rory McCann), Wade's egomaniacal bounty hunter ex-best-friend Jack Sinclair (Julian Barratt), and a champion bowler who moonlights as an utterly despicable cretin (Cary Elwes).
Knuckles brandishing a rubber chicken is a lower-key moment in a gloriously goofy show. Paramount.
From the jump, Knuckles is deliberately and intensely silly. Knuckles' initial stubborn devotion to his life-is-the-capital-letters-MISSION-and-nothing-else mindset becomes a vehicle for action comedy beats built on the dissonance between the inherently ridiculous image of grown men being manhandled by an anthropomorphic echidna and the fact that ridiculous or not, Knuckles is absurdly strong and, when he wants to be, creative on the battlefield. When Sonic and Tails (guest star Colleen O'Shaughnessey) convince him to try making himself at home, Knuckles certainly does. After all, what's more homey than a giant throne in the dining room and swapping the den for an Echidna fighting pit? Continue Reading →
The Spiderwick Chronicles
SimilarKONOSUBA – An Explosion on This Wonderful World!,
Planet of the Apes The 100, The Lost World,
Studio20th Television, Paramount Television Studios,
As the opening minutes of Roku's The Spiderwick Chronicles is all too glad to remind us, "This is a dark fairy tale." A decidedly on-the-nose sentiment to blurt out to an audience in its beginning seconds, to be sure, but that matches the vibe of the series: A lot of spells, but very little magic. The show was rescued by Roku after Disney+ cut it in 2023 after completing the series; the move was ostensibly to cut costs, part of the streaming squeeze we're all going through as streamers start realizing it doesn't quite pay to firehouse out an endless stream of expensive content. But based on what we've seen, they may have been on to something.
Based on the early-aughts children's fantasy novels by Holly Black and Tony DiTerlizzi and updated by Aron Eli Coleite, the show offers a coincidentally similar premise to Coleite's prior show, Netflix's Locke & Key: A mom and three siblings moving to their family's ancestral home in the wake of losing their father (here, it's to divorce), only to find magical secrets that lie inside. In Spiderwick, that family is the Graces, each of which has their own distinct quirks but not a lot of space to develop beyond them. There are twin brothers Jared (Lyon Daniels) and Simon (Noah Cottrell), the former with mental health issues and the latter with a chip on his shoulder about leaving their dad behind. Older sister Mallory (Mychala Lee) is a fencing prodigy whose meticulous life planning may be her biggest weakness. Mother Helen (Joy Bryant) is doing her best to hold the family together, all while trying to deal with her institutionalized Aunt Lucinda (a small but powerful guest turn from Charlayne Woodard), who continually goes on about boggarts and ogres and faeries.
The Spiderwick Chroniciles (Roku)
But based on the house they move in, the creaky, ancient Spiderwick estate, with its labyrinthine tunnels, and the large tree that grows in the middle of the foyer, there may be something to Aunt Lucinda's mutterings (and, it turns out, Jared's visions). Turns out their relative, Arthur Spiderwick (Arthur Jones), spent his life chronicling the fantastical creatures and artifacts he came across in his varying travels, collecting them all in a Field Guide that the kids happen upon not too far into the series. Trouble is, they're not the only ones looking for the guide: maniacal ogre Mulgarath (Christian Slater) wants it too, and for hardly altruistic reasons. Continue Reading →
The Cat in the Hat Knows a Lot About That!
NetworkPeacock,
Similar'Allo 'Allo!, Batfink, Family Guy, Garth Marenghi's Darkplace, Gekisou Sentai Carranger, KONOSUBA – An Explosion on This Wonderful World!, Mystery Science Theater 3000, Tales from the Crypt, The Wallflower, Thunderbirds,
StarringJ. Smith-Cameron,
Peacock’s claymation sitcom is at its best when it skips the satire for the strange, but “best” is grading on a curve.
To its credit, In The Know resists dropping the term “woke” to describe its characters. Unfortunately, in a fairly disastrous opener, that’s the only “those silly sensitive liberals” signifier it lets go past. The premiere’s big joke, one it repeats OFTEN, centers on the proper terminology for someone without a place to live. Because, of course, it's a goofy waste of time to worry about language. Only Zach Woods’ ever-increasing profane frustration at being corrected by Fabian (Caitlin Reilly) saves the bit. His voice performance as “NPR’s third most popular host” Lauren Caspian is just sly enough to make it unclear if his anger comes from his inability to remember the correct term, someone having the nerve to interrupt him, or the thought that someone in the office might be more progressive than him.
It isn’t that mocking blowhard radio hosts can’t be a rich comic vein. Just check out the original Frasier series, a show with a strangely intense cross-generational appeal that persists even over 19 years after the final episode aired. It’s centering that mockery on NPR, particularly an NPR that has more in common with a conservative’s fever dream of what the company is like rather than anything resembling reality, feels like a weak tea. Fortunately, things improve for In The Know as it quickly moves beyond what initially seems like an exercise in sticking it to those caricatures of public radio employees. Continue Reading →
Snow
SimilarApocalypse Now (1979), Batman Returns (1992), Ben-Hur (1959), Billy Elliot (2000), Brazil (1985), Contact (1997), Edward Scissorhands (1990), Finding Forrester (2000), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), Home Alone 2: Lost in New York (1992), I Am Not a Serial Killer (2016), Metropolis (1927), Sahara (2005), Scrooge (1951), Shooter (2007), Sleepless in Seattle (1993), Talk to Her (2002), The Apartment (1960), The Art of Racing in the Rain (2019), The Bridges of Madison County (1995), The Holiday (2006), The Last Emperor (1987), The Party 2 (1982), The Tin Drum (1979), Wonder Boys (2000),
Watch afterAquaman and the Lost Kingdom (2023), Leave the World Behind (2023), Napoleon (2023),
Oppenheimer (2023) Poor Things (2023), Saltburn (2023),
J.A. Bayona directs a heartbreaking adaptation of a true-life tale of tragedy & miracles.
Though we joke about the smallest inconveniences rendering us helpless, in truth the human will to survive cannot be underestimated. When confronted with imminent death, we can and will resort to extreme means to escape it, sometimes in ways that might shock and horrify those who weren’t there. One such story was Aron Ralston, a hiker who was forced to break and cut his own arm off after he was trapped by a fallen boulder, as depicted in 2010’s 127 Hours. Another was a 1972 plane crash in the Andes mountains, after which the survivors, faced with subzero temperatures, no food, and no plant life or animals to be found, eventually resorted to cannibalism to avoid starvation.
The Andes plane crash story was adapted for film a number of times, including the trashy, exploitative Survive!, and 1993’s competently made but whitewashed Alive, in which Ethan Hawke was cast as a character named Nando Parrado. Now J.A. Bayona, whose 2012 film The Impossible was also a harrowing tale of survival, takes a turn with Society of the Snow, a gripping, heart-wrenching look at the emotional toll such an unthinkable event takes on those who somehow came out of it alive, if not exactly well. Continue Reading →
빨간풍선
Albert Lamorisse's flights of fancy come to Criterion courtesy of a gorgeous new box set.
There are few things more wondrous than a child's imagination -- its capacity to uplift itself beyond the pain and doldrums of everyday life to see the world through new eyes. One of cinema's greatest chroniclers of that imagination is French filmmaker Albert Lamorisse, a contemporary of the French New Wave who literally went high where his peers went low. His domain was in short, charming, powerful films often linking child protagonists to wonders both terrestrial and supernatural: an animal that captures their heart, or the unyielding power of flight. Now, Criterion has captured that magic in a new two-disc Blu-ray set containing the bulk of Lamorisse's flashes of cinematic whimsy.
The crown jewel of the pack, of course, is 1956's The Red Balloon, the only short film to ever receive a major Academy Award (for Best Original Screenplay; no small feat, considering the film, like many of Lamorisse's, relies on very little dialogue). It's a simple, elemental tale of a boy (Lamorisse's son, Pascal, a frequent star of his works) walking the grey, rundown streets of postwar Paris -- the Ménilmontant neighborhood, to be specific -- only to find himself befriending a bright red balloon that follows him everywhere. The two seem to build some ineffable connection, a bond that plays out through the streets of Ménilmontant. The boy's parents and teachers don't understand their friendship. His peers envy it, chasing them through the streets to tragic ends. Continue Reading →
Wish
SimilarAladdin (1992), Catwoman (2004), Constantine (2005), Dances with Wolves (1990), Dr. No (1962), Enchanted (2007), Fantasia (1940), From Russia with Love (1963), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), Hellboy (2004),
Live and Let Die (1973) Mary Poppins (1964), On Her Majesty's Secret Service (1969), Pirates of the Caribbean: Dead Man's Chest (2006), Princess Mononoke (1997), Shrek (2001), The Big Blue (1988), The Man with the Golden Gun (1974), The Matrix Reloaded (2003), The Matrix Revolutions (2003), Willy Wonka & the Chocolate Factory (1971), You Only Live Twice (1967),
Watch afterAquaman and the Lost Kingdom (2023), Five Nights at Freddy's (2023), Leave the World Behind (2023), Meg 2: The Trench (2023), Mission: Impossible - Dead Reckoning Part One (2023), Napoleon (2023), Parasite (2019), Rebel Moon - Part One: A Child of Fire (2023), Society of the Snow (2023), The Hunger Games: The Ballad of Songbirds & Snakes (2023), The Marvels (2023), Wonka (2023),
StudioWalt Disney Pictures, Walt Disney Productions,
Kids deserve better than yet another dull, going-through-the-motions misfire.
The animation world was recently startled by Warner Bros.' announcement that they planned to shelve their recently completed feature Coyote vs Acme for a quick tax write-off, rather than spend money to release it. Not to be outdone, Disney Studios offers up Wish, an animated feature that is the kind of artistic misfire that deserves to be hidden away and never spoken about again. This is a creation so alternately bewildering and banal that it's implausible that at no point during the entire creative process did anyone point out the seemingly obvious fact that virtually none of it works on even the most basic levels.
Wish takes place in the kingdom of Rosas, which was founded and is currently ruled by Magnifico (Chris Pine), a seemingly benevolent sorcerer who offers peace and protection for all those who live there. The catch is that they must surrender their deepest wish to Magnifico, who stores them in the lab in his castle in bubbles and once in a great while returns one to the person who made it. Inexplicably, the people of Rosas think this is a good deal, none more so than Asha (Ariana DeBose), a teenager who is all in on both Rosas and Magnifico and is hoping that the latter will present her beloved grandfather (Victor Argo) with his wish to commemorate his upcoming 100th birthday. Continue Reading →
Trolls
SimilarAladdin (1992), Billy Elliot (2000), Chicago (2002), Dances with Wolves (1990), Dirty Dancing (1987), Enchanted (2007), Fantasia (1940), Forrest Gump (1994), Four Weddings and a Funeral (1994), Harry Potter and the Philosopher's Stone (2001), Harry Potter and the Prisoner of Azkaban (2004), Ice Age (2002), Mary Poppins (1964), Moulin Rouge! (2001), Muriel's Wedding (1994), My Own Private Idaho (1991), Princess Mononoke (1997), Shall We Dance? (2004), Shrek (2001), Shrek 2 (2004), Shrek the Third (2007), Sleepless in Seattle (1993), Stranger Than Paradise (1984), The Terminal (2004), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Willy Wonka & the Chocolate Factory (1971),
Studio20th Century Fox,
The Trolls movies continue to indulge in their best and worst impulses in a third installment.
The poster for this past summer's R-rated comedy No Hard Feelings had a reasonably clever tagline to explain the strained dynamic between the film's two leads. Against an image of Jennifer Lawrence squeezing Andrew Barth Feldman's cheeks, a single word is placed on top of each person's face: "Pretty" and "Awkward." Nothing revolutionary in design, but it gets the job done. Best of all, that tagline also makes for an apt descriptor for Trolls Band Together.
The third entry in the Trolls trilogy (based on the popular 80s dolls), Trolls Band Together does indeed live up to the phrase “Pretty. Awkward.” The animators at DreamWorks keep coming up with gorgeous-looking environments for the titular critters to inhabit that look like they emerged from the wreckage of a craft store explosion. Unfortunately, the writing remains as stilted as ever. Continue Reading →
Miraculous - le film
SimilarArmageddon (1998), Batman Begins (2005), Batman Forever (1995), Batman Returns (1992), Ben-Hur (1959), Beverly Hills Cop III (1994), Constantine (2005), Enchanted (2007), Fantasia (1940), Harry Potter and the Goblet of Fire (2005), I've Always Liked You (2016), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Mary Poppins (1964), Moulin Rouge! (2001), Nausicaä of the Valley of the Wind (1984), Paris Can Wait (2016), Princess Mononoke (1997), Shall We Dance? (2004), Strange Days (1995), The Matrix Reloaded (2003), The Matrix Revolutions (2003), The Science of Sleep (2006), True Romance (1993), Wallace & Gromit: The Curse of the Were-Rabbit (2005), You Only Live Twice (1967), Zatoichi (2003),
Watch after1917 (2019),
Barbie (2023) Oppenheimer (2023) Shang-Chi and the Legend of the Ten Rings (2021), Spider-Man: Across the Spider-Verse (2023), Spider-Man: No Way Home (2021), The Flash (2023), The Suicide Squad (2021),
StarringAyane Sakura, Hisako Kanemoto, Junko Minagawa, Kotono Mitsuishi, Marina Inoue, Mariya Ise, Megumi Hayashibara, Sayaka Ohara, Shizuka Itoh, Shoko Nakagawa,
Studiodentsu, King Records, Studio Deen, Toei Animation, Toei Company,
When I was around thirteen, two classmates, Christina and Taylor (their real names, it’s not like they’re going to read this), played a prank on me that resulted in my eating dog food. In retrospect, it could have been worse: nobody else saw it happen, and for whatever reason they kept it to themselves. But when I think about my teenage years (and I try not to much at this point in my life, other than at a superficial pop culture level), my mind often goes to that moment. Continue Reading →
Inspector Sun y la maldición de la viuda negra
SimilarAladdin (1992), Basic Instinct (1992), Blue Velvet (1986), Caché (2005), Gone Baby Gone (2007), Memento (2000), Oldboy (2003),
The Name of the Rose (1986) The Thirteenth Floor (1999), Vertigo (1958),
Watch afterSpider-Man: No Way Home (2021), Top Gun: Maverick (2022),
I love detective stories. Tales of how, as Sara Gran would say, "truth lives in the ether." Explorations of people and places and how they shape each other. The journey down the streets towards a hidden truth. Dennis Lehane's Darkness, Take My Hand, is my favorite book. Rian Johnson's Brick and Ben Affleck's Gone Baby Gone are movies I think the world of, never mind all-timers like Howard Hawks' The Big Sleep and Robert Altman's The Long Goodbye. And, of course, the immortal Who Framed Roger Rabbit? from Robert Zemeckis. Any time there's a new detective film, whether it be an affably bleak comedy or an action-driven character study, it's a treat. Continue Reading →
Shorts
Local filmmakers, horror & desire are all given the spotlight at the Chicago International Film Festival's shorts program.
This piece was written during the 2023 SAG-AFTRA strike. Without the labor of the actors currently on strike, the work being covered here wouldn't exist.
The first program of shorts featured at this year's Chicago International Film Festival, titled “City & State,” highlighted local voices with astounding range. Dustin Nakao-Haider’s film Ethan Lim: Cambodian Futures is a poignant and complex film highlighting Chicago chef Ethan Lim and his hope for a different future that moves Cambodian food in revolutionary directions. Director Linh Tran’s Video Funeral grapples with similar issues of loss, (re)connection, and family brought about by diaspora. Like Linh Tran, Ian Kelly’s animated short Soft Lights and Silver Shadows is a tender testament to how art and media can help transcend time, distance, and mortality. Equally fascinated with different domestic dynamics, Tetsuya Mariko intently investigated what makes a family against crumbling infrastructure in his tense Before Anyone Else. Continue Reading →
Once Within a Time
Watch afterBarbie (2023) Black Widow (2021), Inception (2010),
Oppenheimer (2023) Parasite (2019), Poor Things (2023), Society of the Snow (2023), The Batman (2022), The Whale (2022),
When Godfrey Reggio’s monumental experimental documentary Koyannistqatsi (Life Out of Balance in Hopi) first entered the zeitgeist, its radical nature as a postmodern film, with a thoroughly entrancing score by Phillip Glass, became intertwined with the rise of MTV and a new era of visual aesthetic being born within the music sphere. From the noise rock band Cows to electronic musicians Dr. Atmo and Oliver Leib to superstar pop singer Madonna, the film had an indelible effect on music and the music video. Continue Reading →
Frasier
NetworkNBC,
Similar'Allo 'Allo!, Catterick, Fawlty Towers, Here and Now,
HIStory I Dream of Jeannie, LA to Vegas, Lost in Space, My Hero, Ned's Declassified School Survival Guide, Off Centre, Red Dwarf, Sons of Tucson, Taxi, That '70s Show, The Bride of Habaek, The War at Home,
StudioParamount Television Studios,
When Frasier premiered in the fall of 1993 it had massive shoes to fill. That's probably an understatement. Its parent show, Cheers, was a critical and commercial monster in a way that can only happen when there are only three shows for two hundred million people to choose from. It was nominated for almost two hundred Emmys over the course of its eleven-year run, and its series finale aired to 90 million people (40% of the country’s then population) three months before Frasier’s start. So yeah, expectations were pretty high, and Frasier ended up pretty much meeting them all. While never as popular as Cheers (nothing has been as popular as Cheers since Cheers), it was nevertheless a solid commercial hit that carved out its own identity and won more Emmys than its parent show over the course of its own eleven-year run. A lot of that success was rooted in Frasier’s ability as its own, independent show with its own characters and rhythms instead of being Cheers 2.0. Continue Reading →
The Goldbergs
NetworkNBC,
Similar'Allo 'Allo!, Astro Boy, Catterick, Fawlty Towers, Garth Marenghi's Darkplace,
Great News I Dream of Jeannie, LA to Vegas, Ned's Declassified School Survival Guide, Off Centre, Red Dwarf, Taxi, That '70s Show,
The Cara Williams Show The John Larroquette Show The War at Home, Two and a Half Men,
In 1983, a group of crooks broke into a vault at the Heathrow International Trading Estate in London, patrolled by Brink’s Mat security conglomeration. The Brinks company was already famous for a famous robbery, one that was carried out in the '50s in the North End in Boston, an incident that turned into a charmingly strange movie by William Friedkin in 1978. Continue Reading →
The Inventor
SimilarBen-Hur (1959), Edward Scissorhands (1990), Metropolis (1927), Princess Mononoke (1997), Schindler's List (1993), Titanic (1997), Wallace & Gromit: The Curse of the Were-Rabbit (2005),
Watch afterDoctor Strange in the Multiverse of Madness (2022),
StudioHBO Documentary Films,
The Inventor is an odd little film. It is a mess throughout, and there are many instances where I got the sense that writer/co-director Jim Capbianco did not know what kind of story he was trying to tell or who his audience was. And yet it possesses an undeniable charm, one that sticks with you. Continue Reading →
Mickey's Birthday Party
Friedkin’s second film is a bruising affair that finds the fledgling director wielding style to produce maximum psychological damage.
In the early days of his career, William Friedkin found himself playing second banana to his collaborators. For instance, one of his earliest biggest TV directing gigs was on Alfred Hitchcock Presents. Then, when he made the leap to feature narrative films, his debut was in service of Cher and Sonny Bono’s cult of personality.
In The Birthday Party, Friedkin’s second film, more well know talent once again eclipses him. Playwright Harold Pinter, whose original stage play the film adapts, also contributed the film script. Even now, the cover of Blu-rays and DVDs, the only way to see it currently, bills it as “Harold Pinter’s The Birthday Party.” Continue Reading →
The League of Extraordinary Gentlemen
SimilarBatman Forever (1995), Constantine (2005), Sin City (2005), Spider-Man 2 (2004), Spider-Man 3 (2007), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Dark Knight (2008),
Studio20th Century Fox, Walt Disney Productions,
One of the things I enjoy most about the moviegoing experience is coming out of a film feeling as if I've actually learned something that I didn't know before, or had not even occurred to me in the first place. That's exactly the feeling that I got while watching Sam Pollard’s The League, a documentary about the history of Negro baseball leagues in America. Going in, I suppose I knew the basics about the subject and could name such key figures as Josh Gibson and Satchel Paige, but Pollard, who previously directed MLK/FBI, and executive producer Questlove delve much deeper, and the results are indeed fascinating. Continue Reading →
Ruby Gillman, Teenage Kraken
SimilarAlex Strangelove (2018), Billy Elliot (2000), Bring It On (2000), Enchanted (2007), Harry Potter and the Goblet of Fire (2005), Pirates of the Caribbean: Dead Man's Chest (2006),
StarringColman Domingo, Sam Richardson,
Studiodentsu,
It’s not easy being a teenager. It’s especially not easy being a teenager like the titular protagonist of Ruby Gillman: Teenage Kraken. As that title would suggest, Ruby Gillman (Lana Condor) is a Kraken living in a seaside town with her family. Her parents and younger brother seem to have no trouble assimilating to the broader world, while Ruby struggles. All she wants is to blend in as a normal human-- albeit one with blue skin and no spine. However, to be an average teen, she’ll likely have to break some of her mom’s strict rules, namely, never going near the ocean. Continue Reading →
Elemental
SimilarBorat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006), Ocean's Eleven (1960), Poseidon (2006), Snakes on a Plane (2006), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), Volver (2006),
Watch afterBarbie (2023) Meg 2: The Trench (2023), Spider-Man: Across the Spider-Verse (2023), The Flash (2023),
StudioWalt Disney Pictures,
Over the years, Pixar has enlisted a variety of creatures to populate their wholesome stories of love and acceptance. There have been toys, monsters, cars, disembodied souls, and even the occasional human. In their new film Elemental, the characters are personifications of the four elements. It’s a choice that may leave you asking, “Have they run out of ideas at this point?” Continue Reading →
The Little Mermaid
SimilarAladdin (1992), Dirty Dancing (1987), Fantasia (1940), Harry Potter and the Goblet of Fire (2005), Moulin Rouge! (2001), West Side Story (2021), Willy Wonka & the Chocolate Factory (1971),
Watch afterBarbie (2023) Meg 2: The Trench (2023), Spider-Man: Across the Spider-Verse (2023), The Flash (2023),
StudioWalt Disney Pictures,
The spate of recent live-action Disney remakes has run the gamut in quality from pleasantly diverting (Cinderella, Pete’s Dragon) to unwatchable abominations (The Lion King, Beauty and the Beast.) Even the most well-received entries of the bunch struggle to find reasons they should exist in the first place. Rob Marshall’s The Little Mermaid is no different, but for one crucial factor that sets it apart from the rest: Halle Bailey as Ariel. Bailey is so captivating and winsome in the titular role that this remake almost feels worth it just to launch her into movie stardom. Unfortunately, sub-par CGI effects and clunky changes to Howard Ashman’s classic songs often make it feel like Bailey is left to carry the movie on the strength of her remarkable talent alone. With a shaggy runtime of two hours and fifteen minutes—a full hour longer than the original cartoon—it’s a heavy load for one performer to bear. Continue Reading →
Walt Disney Animation Studios: Short Circuit Experimental Films
This year's first program of Chicago Critics Film Festival shorts focus on the dark side of family, community & living with mental illness.
The films in the first program of shorts at this year’s Chicago Critics Film Festival all concern those mythic American values of “life, liberty, and the pursuit of happiness.” And they do this in both content and form. Though these films never exceed twenty minutes, they are unbounded examples of the human imagination.
We open on the “happy family” of Nicole Daddona and Adam Wilder’s deliciously unsettling The Mundanes. This surreal nostalgic PSA about the ideal American family is a delightful work of surreal suspense. What begins as a richly designed comment on the facelessness of the perfect family in the white nostalgic imagination soon amps up into an amusing work of comedy horror. Unspeakable delights feed the happiness of the Happy Family. You can bet ambrosia salad won’t be the most unappetizing thing on this 50s-inspired tablescape. The Mundanes serves up a sensational visual style and keen directorial perspective on a silver platter with a healthy helping of disturbing social commentary on the side. Continue Reading →
A Infância de Romeu e Julieta
If you’re a Shakespeare purist, Baz Luhrmann’s 1996 rendition of Romeo and Juliet might make your skin itch. Luhrmann’s signature frenetic style would seem ill-suited to the most famous romantic tragedy of all time, and, indeed, the traditional text recited in a hyper-contemporary setting, where even the Priest has a giant Celtic cross tattooed on his back, is often jarring. But it turned out to be a perfect fit to illustrate the noisy melodrama of first love and was one of the most successful films in the 90s trend of stylish, modernized adaptations of the Bard. Despite its detractors, it became, for Millennials and Gen Z, the most beloved, familiar rendition of it, even used as a supplement in schools. Continue Reading →