Totally Killer
SimilarA Nightmare on Elm Street (1984), Back to the Future Part II (1989), Back to the Future Part III (1990),
Bend It Like Beckham (2002) Billy Elliot (2000), Cléo from 5 to 7 (1962), I Am Not a Serial Killer (2016), Italian for Beginners (2000), Little Miss Sunshine (2006), Mars Attacks! (1996), Saw II (2005), Silent Hill (2006), Star Trek: First Contact (1996), Strange Days (1995), The Devil's Rejects (2005), The Matrix Reloaded (2003), The Matrix Revolutions (2003), The Party (1980), The Party 2 (1982), Twelve Monkeys (1995),
Watch afterSaw X (2023), Spider-Man: Across the Spider-Verse (2023), Talk to Me (2023), The Equalizer 3 (2023),
The low-budget confines of Blumhouse movies mean that any idea can become a movie, including bold original visions like Whiplash or Get Out. Unfortunately, it also means a lot of subpar stuff can easily get the green light. The latest example is the new Amazon/Blumhouse collaboration, Totally Killer. Hailing from director Nahnatchka Khan, Totally Killer dares to ask a question no reasonable soul was pondering. “What if Happy Death Day and Hot Tub Time Machine had a tedious baby?” Buckle up, horror devotees. Here comes yet another dose of 1980s nostalgia and some frighteningly lousy editing. Continue Reading →
Sitting in Bars with Cake
Watch afterBarbie (2023) Blue Beetle (2023), Elemental (2023), Shortcomings (2023), The Marvels (2023),
StudioMetro-Goldwyn-Mayer,
(Editor's note: A previous version of this review included the full name of the presumptive real-life inspiration for the film; upon a subsequent request to maintain their privacy, we have removed that sentence.) Continue Reading →
Landscape with Invisible Hand
Similar2001: A Space Odyssey (1968), 9 Songs (2004), A Clockwork Orange (1971), Annie Hall (1977), Apocalypse Now (1979),
Blade Runner (1982) Boys Don't Cry (1999) Contact (1997), East of Eden (1955), Eternal Sunshine of the Spotless Mind (2004), Fried Green Tomatoes (1991),
Jackie Brown (1997) Manhattan (1979), Mars Attacks! (1996), Mary Poppins (1964), Metropolis (1927), Predator (1987), Random Harvest (1942), Solaris (1972), Stalker (1979), The Elementary Particles (2006),
The Name of the Rose (1986) The Outsiders (1983), The Science of Sleep (2006), The Silent Partner (1978), The Thirteenth Floor (1999), To Die For (1995), War of the Worlds (2005),
Watch afterBarbie (2023) Rebel Moon - Part One: A Child of Fire (2023), Shortcomings (2023), The Equalizer 3 (2023),
StudioMetro-Goldwyn-Mayer,
Cory Finley is obsessed with money. His characters have nice things or want them. They live in beautiful houses or enviously plot to get them. Even in the year 2036, with aliens living on (or, more precisely, about two miles above) planet Earth, people still fret over money and try to make scads of it. That’s the state of things in his latest, Landscape with Invisible Hand. It’s a title with the same bespoke aestheticism as the stuffed ocelots and oversized chess pieces his characters own. It feels seemingly designed to scare off less curious viewers. While the film has an awful lot of plot, the undergirding is the same. As in his 2017 debut Thoroughbreds, his follow-up Bad Education, and even his episodes of the abysmal miniseries WeCrashed, the drama comes from the idea of what money does to the soul. Continue Reading →
Talk to Me
SimilarA Nightmare on Elm Street (1984), Alien (1979), Aliens (1986), Carrie (1976), On Her Majesty's Secret Service (1969), The Rage: Carrie 2 (1999), The Shining (1980),
Watch afterBarbie (2023) Blue Beetle (2023), Five Nights at Freddy's (2023), Meg 2: The Trench (2023), Mission: Impossible - Dead Reckoning Part One (2023),
Oppenheimer (2023) Saw X (2023), The Equalizer 3 (2023), The Nun II (2023),
Things have been very bad for much of the world for a very long time, and they won’t improve any time soon. I don’t mean to start things off on a bummer note, but to point out that from such dire circumstances comes one benefit: the horror movie renaissance that started in the late 2010s only seems to be getting better. Just this year we’ve gotten the low-fi nightmares Skinamarink and The Outwaters, horror comedy with M3GAN and Cocaine Bear, another mostly solid entry in the Scream franchise, too many indie horror films to list here (Bad Girl Boogey and Brooklyn 45 are but a couple), and the roaring return of the Evil Dead series. Even if there weren’t another release for the rest of the year, it’d still be a great year for horror. Continue Reading →
The Kill Room
I was a latecomer to The Room, not seeing it for the first time until 2010, long after its initial, extremely short-lived theatrical release and then its designation, spearheaded by, among others, Patton Oswalt, David Cross, and Paul Rudd, as a genuine pop culture oddity. I only had some vague idea of what it was about (and its off-putting poster art, featuring it's Kubrick-staring writer/director/star Tommy Wiseau, offered no clues), but I was also a fan of cinematic endurance tests and thought that I should see what the big deal was. Continue Reading →