Spin Me Round
SimilarBack to the Future Part III (1990), Little Miss Sunshine (2006), The Big Blue (1988),
Amber’s (Alison Brie) dead-eyed stare in the opening montage of Spin Me Round tells you everything you need to know about where she’s at in life. She’s the manager of a fast-casual “Italian” restaurant, and from what we see about how they make the alfredo sauce, the quotes are very much warranted. Her life is small and dull and she’s secretly ready and hoping for an adventure to sweep her off her feet. When Amber wins a trip to Tuscany, the film doesn’t take her or the audience on the journey you’d expect, which creates something of a mess for everyone. Continue Reading →
They/Them
StudioBlumhouse Productions,
It’s well past time for a mainstream horror movie that addresses the very real dangers the LGBTQIA+ community faces. Self-proclaimed “allies” in particular need to see what it’s like to have your bodily autonomy, your right to love, and even your right just to live peacefully put at constant risk, by people who think they’re acting on the side of righteousness and virtue. Continue Reading →
Breaking
A game cast can't save Abi Damaris Corbin's misguided, manipulative account of a real-life tragedy.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
In a long line of recent movies that are desperate to say something important about our society today, 892 takes an ideologically muddled approach to racial and social politics. Abi Damaris Corbin's film functions similarly in its structure and tone to a few other past Sundance offerings like Fran Kranz’s Mass and Gustav Möller’s The Guilty, a lot of it stemming from the use of a single location for the majority of the action. Unfortunately, 892 is the weakest of these movies, a limp social-issue thriller that suffers from an uncontrolled eagerness to say everything all at once. Continue Reading →