9.5 BEST NEW MOVIE The impeccable Love Lies Bleeding flexes its way through bloody lesbian noir By: Justin Harrison Rose Glass' neon-soaked crime thriller is a perfectly arch, deviously dark romance.
8.9 BEST NEW SHOW Knuckles’ zany buddy comedy is worth digging into on Paramount+ By: Justin Harrison Idris Elba and Adam Pally's chemistry anchors the consistently hysterical and well-choreographed miniseries.
9.5 BEST NEW MOVIE The impeccable Love Lies Bleeding flexes its way through bloody lesbian noir By: Justin Harrison Rose Glass' neon-soaked crime thriller is a perfectly arch, deviously dark romance.
8.5 BEST NEW MOVIE In Dune: Part Two, the spice must flow, and so must the blood of nonbelievers By: Clint Worthington Denis Villeneuve finishes his epic two-part adaptation of Frank Herbert's novel with sprawling scope and thorny politics.
8.9 BEST NEW MOVIE Michael Mann fills Ferrari with all his sound and fury By: Justin Harrison Adam Driver does insightful, searching work as auto legend Enzo Ferrari in the filmmaker's study of a pivotal year in his life.
8.0 BEST NEW MOVIE The Color Purple paints a picture of community By: B.L. Panther Blitz Bazawule's adaptation of the Alice Walker classic (and the Broadway musical) is a more joyful, celebratory film than its predecessor.
8.9 BEST NEW SHOW Knuckles’ zany buddy comedy is worth digging into on Paramount+ By: Justin Harrison Idris Elba and Adam Pally's chemistry anchors the consistently hysterical and well-choreographed miniseries.
8.4 BEST NEW SHOW Step right up to The Big Door Prize Season 2 By: Tim Stevens AppleTV+’s feel-good supernatural comedy returns with a willingness to be messier and more complicated.
9.0 BEST NEW SHOW Conan O’Brien Must Go (to Max), and you must follow By: Clint Worthington The comedian travels the world, and leaves a trail of laughs and mayhem in his wake.
8.5 BEST NEW SHOW Max’s new series The Sympathizer reflects on Vietnam through media and memory By: Clint Worthington Park Chan-wook and Robert Downey Jr. expertly adapt Viet Thanh Nguyen's novel about war, identity, and cultural consumption.