14 Best Science Fiction Releases on Hulu
Poor Things
Similar2001: A Space Odyssey (1968), 28 Days Later (2002), 28 Weeks Later (2007), 9 Songs (2004), A Clockwork Orange (1971), Aladdin (1992), Aliens (1986), Amélie (2001), Annie Hall (1977), Armageddon (1998),
Bend It Like Beckham (2002) Blade Runner (1982) Contact (1997), Contempt (1963), Cruel Intentions (1999), Desert Hearts (1985), Dirty Dancing (1987), Edward Scissorhands (1990), Eternal Sunshine of the Spotless Mind (2004), Eyes Wide Shut (1999), Fantastic Four: Rise of the Silver Surfer (2007), Forrest Gump (1994), M*A*S*H (1970), Manhattan (1979), Mars Attacks! (1996), Mary Poppins (1964), Match Point (2005), Metropolis (1927), Mystic River (2003), Once Upon a Time in America (1984),
Rebecca (1940) Shrek the Third (2007), Stalker (1979), Star Trek: First Contact (1996), The Art of Racing in the Rain (2019), The Bridges of Madison County (1995), The Elementary Particles (2006), The Handmaid's Tale (1990), The Holiday (2006), The Life Aquatic with Steve Zissou (2004), The Party (1980), The Science of Sleep (2006), True Romance (1993), Vertigo (1958), War of the Worlds (2005), What's Eating Gilbert Grape (1993), Wild at Heart (1990), Willy Wonka & the Chocolate Factory (1971),
Watch afterAnatomy of a Fall (2023), Dune: Part Two (2024), Killers of the Flower Moon (2023), Saltburn (2023), Society of the Snow (2023), The Killer (2023),
StarringWillem Dafoe,
StudioFilm4 Productions, Searchlight Pictures, TSG Entertainment,
Yorgos Lanthimos directs a sumptuous adult fairy tale featuring Emma Stone at her very best.
Here’s the thing about Yorgos Lanthimos: you’re either on board with him, or you’re not. Even in The Favourite, arguably his most accessible film, there’s a sort of joyful grotesqueness to it, leaving the audience laughing and wincing simultaneously. His latest offering, Poor Things, is his most visually dazzling film yet, with moments of stunning beauty and bittersweet insight, but still isn’t afraid to test the audience’s sensibilities. It’s a film about what it means to be alive, every little disgusting aspect of it.
Based on Alasdair Gray’s novel of the same name, Poor Things opens in dreary black and white London, where eccentric scientist Godwin Baxter (Willem Dafoe) is overseeing an experiment that’s both miraculous and horrifying. Baxter, whose face looks like it was carved into several pieces and then put back together the wrong way, has brought a woman back to life after she committed suicide. The woman, whom he’s renamed Bella (Emma Stone, with a magnificent pair of eyebrows), initially has the mind of a toddler, but she’s learning and maturing at an astonishing rate. Bella refers to Godwin as “God,” and so far knows no one and nothing else but him and their home together. Continue Reading →
The League of Extraordinary Gentlemen
SimilarBatman Forever (1995), Constantine (2005), Sin City (2005), Spider-Man 2 (2004), Spider-Man 3 (2007), The Chronicles of Narnia: The Lion the Witch and the Wardrobe (2005), The Dark Knight (2008),
Studio20th Century Fox, Walt Disney Productions,
One of the things I enjoy most about the moviegoing experience is coming out of a film feeling as if I've actually learned something that I didn't know before, or had not even occurred to me in the first place. That's exactly the feeling that I got while watching Sam Pollard’s The League, a documentary about the history of Negro baseball leagues in America. Going in, I suppose I knew the basics about the subject and could name such key figures as Josh Gibson and Satchel Paige, but Pollard, who previously directed MLK/FBI, and executive producer Questlove delve much deeper, and the results are indeed fascinating. Continue Reading →
Infinity Pool
SimilarBrazil (1985), Godzilla Raids Again (1955),
Brandon Cronenberg & Chloe Domont direct stylish films about sex & violence among the bourgeoise wealthy.
A growing trend in Hollywood film & TV of late has been to put a mirror in front of the idle rich and mock the privileged and avaricious lifestyles they live. Some may say this is happening now because of honest self-reflection in the face of growing and untenable wealth-inequality in this country, but that just sounds gullible to me. It’s probably more so that hedonistic and openly, publicly vapid displays of self-promotion and consumerist propaganda through social media has made it easier to become famous and sponsored by doing less than ever before.
Brandon Cronenberg probably has imposter syndrome. In Infinity Pool, his central character James Foster (Alexander Skarsgård) is a writer plagued by a lack of inspiration and haunted by a review that boils his career down to only having a rich father-in-law, which affords him the luxury of not needing a real job. His hang-up over this connection through his wife, Em (Cleopatra Coleman), explodes in the open when they have a fight and he tells her to “run back to Daddy.” In formally and thematically finding a voice unto himself apart from his lineage, the younger Cronenberg has cultivated a filmography where the corporeal form is at odds with the sense of identity. His characters constantly feel like empty vessels and thus, the trauma their bodies endure are more a dissociative terror than a deeply internally felt one. Continue Reading →
Vesper
Vesper (Raffiella Chapman, His Dark Materials), a lone teenager clad head to toe in weatherbeaten cold-weather gear, expertly ferrets her way through a blighted field. She's looking for the remains of dead crops—critical samples for her ongoing bio-engineering research. A floating drone—humanized by an awkward, endearingly childish face that's been carved on it—accompanies her. Her father, Darius (Richard Brake), pilots the drone. Left paralyzed and fragile by war and a relentless artificial biosphere, Darius does what he can for his daughter. In the distance stand colossal machines long left to rust, their purpose obscure. Continue Reading →
Something in the Dirt
SimilarBeverly Hills Cop (1984),
Blade Runner (1982) Memento (2000), Strange Days (1995), The Holiday (2006),
Watch afterBarbarian (2022), Everything Everywhere All at Once (2022),
Remember when conspiracy theories used to be fun? Well, maybe “fun” isn’t the right word, but entertaining? Once, they were limited to harmless weirdos who would gladly give a presentation on chemtrails or how many different assassins were actually at Dealey Plaza when JFK passed by, but could also at least maintain some veneer of normalcy. Then the internet made it easier for people to spend most (instead of just some) of their time discussing their favorite conspiracies, without anyone telling them that they were getting obsessed, or that what they were saying sounded insane. And then, of course, QAnon turned conspiracy theories into a kind of religion, one in which its followers were willing to kill to prove their belief. It stopped being entertaining a long time ago, and now, like a lot of things about the world in its current state, it’s just bleak and terrifying. Continue Reading →
Crimes of the Future
SimilarMississippi Burning (1988), Resident Evil: Apocalypse (2004), Rope (1948),
StudioIngenious Media,
As Marvel holds its iron grip on theaters, and Netflix seems determined to focus its dwindling profits on churning out generic action movies starring various iterations of Ryan Reynolds, cineastes lament the loss of “art” films, those outliers that, whether good or bad, generate far more lively after-movie conversation than Spider-Man ever could. And yet, right now we seem to be in the middle of a weird movie renaissance. We have the joyful weirdness of Everything Everywhere All at Once, the all too topical weirdness of Alex Garland’s Men, and the over the top spectacle weirdness of Baz Luhrmann’s upcoming Elvis. What better time could there be for David Cronenberg to come roaring back to form with some body horror weirdness in Crimes of the Future? Continue Reading →
Dual
SimilarAustin Powers: The Spy Who Shagged Me (1999), Moulin Rouge! (2001),
Watch afterDoctor Strange in the Multiverse of Madness (2022),
The latest from oddball extraordinaire Riley Stearns is a sci-fi curio about scrambling to find your will to live.
(This review is part of our coverage of the 2022 Sundance Film Festival.)
Writer/director Riley Stearns introduces the viewer to the offbeat world of Dual through something of a Hunger Games or Twilight Zone knock-off, with a bloody duel between two men who look exactly the same as an audience watches. It’s a smart and captivating start, one flooded with Sterns’ usual dark sense of humor, and one that introduces the core premise succinctly: in a world where you and your double both want to live, how willing and able are you to survive a duel to the death? Continue Reading →
The Matrix Resurrections
SimilarFree Willy (1993), Resident Evil: Apocalypse (2004),
Watch afterDon't Look Up (2021), Eternals (2021), Spider-Man: No Way Home (2021),
It's hard to overstate just how seismic The Matrix was when it was first released in 1999. Looking back on it now, in an age of focus-tested corporate franchises, extended universes, and an even more top-heavy IP landscape than we had back then, it feels positively revolutionary. Even in its imperfect but-radically-reappraised 2003 sequels, Reloaded and Revolutions, filmmakers Lana and Lilly Wachowski manage to build a world that's at once evocative of so many of its influences (cyberpunk, bullet opera, kung fu film, Star Wars) but feels highly original. And what's more, is unafraid to tackle challenging, often heady psychological questions while still revolutionizing the way action movies were made. Continue Reading →
Space Jam: A New Legacy
SimilarAnnie Hall (1977), Bring It On (2000), Fantasia (1940),
Watch afterBlack Widow (2021),
Let’s get one thing out of the way: the original Space Jam, released in 1996, isn’t a good movie. It’s an extended Nike commercial with an iconic soundtrack that tricked the brains of '90s kids into keeping it warm with nostalgia. So, it’s only fair that 25 years later, a new generation of children are forced to experience a similar kind of cash grab. Continue Reading →
Godzilla vs. Kong
SimilarGodzilla Raids Again (1955), Night at the Museum (2006),
Watch afterBlack Widow (2021), The Suicide Squad (2021),
One of the most fascinating things about Godzilla -- whether in his original Japanese provenance in his long-running series of films, or in the comparatively-recent "MonsterVerse" Westernization of the big lizard, courtesy of Warner Bros. and Legendary -- is that he's so malleable. On the one hand (as with the original 1954 Ishiro Honda film and Gareth Edwards' flawed but philosophically-intriguing 2014 reboot), he can be a poignant vehicle to explore the apocalyptic anxieties of nations ravaged by atomic bombs and climate change. Continue Reading →
Night Raiders
Watch afterEternals (2021),
Danis Goulet's sci-fi adventure intriguingly explores the systematic eradication of indigenous peoples through a Hunger Games lens, but falters when it leans too close to the conventions of that already-creaky genre.
(This review is part of our coverage of the 2021 Berlin Film Festival.)
Night Raiders is yet another story involving grim dystopian futures and a seemingly ordinary kid who gradually discovers that she possesses extraordinary powers that might help change things at last. In an effort to keep it from coming across as nothing but a clone of The Hunger Games, Divergent and the rest, writer-director Danis Goulet has constructed the story to also serve as a parable for the systematic eradication of the indigenous people of North America throughout history. Continue Reading →
Ich bin dein Mensch
Watch afterEverything Everywhere All at Once (2022),
Dan Stevens stars as a seductive but malfunctioning robot companion in Maria Schrader's refreshing, tender exploration of longing.
(This review is part of our coverage of the 2021 Berlin Film Festival.)
It’s nearly impossible to not think of Spike Jonze’s romantic drama Her while watching Unorthodox creator Maria Schrader’s third feature I’m Your Man. Granted, both movies focus on a relationship between a lonely, messy human being and an AI. But where Jonze’s film tells the story from the male gaze, Schrader flips the narrative and gives the room to a complicated female character. The result is not only refreshing but also more tender and meditative, exploring love, loneliness, and longing over the technological ethics that tend to occupy these kinds of films. Continue Reading →
Little Fish
Based on an Aja Gabel short story and directed by Chad Hartigan, Little Fish follows a married couple as they try to hold onto what they love in a world ravaged by a pandemic. In a lot of ways, there are eerie similarities with our present reality, but the main difference is that the virus in this film slowly takes away memories – functioning very similarly to Alzheimer’s. In the midst of a flurry of pandemic-themed media coming out which tries to reflect the situation which the world is presently in, Little Fish manages to distinguish itself from the crowd with its brilliant leads and emotional resonance. Continue Reading →
In the Earth
Ben Wheatley's pandemic-shot sci-fi effort is a derivative and predictable trip through the fog despite a few choice moments.
(This review is part of our coverage of the 2021 Sundance Film Festival.)
A few months ago, Ben Wheatley did what seems to be en vogue as of late: make a movie mid-pandemic. It was over 15 days in August 2020 when Wheatley shot his latest from his own script, and does this one tick a few of the usual boxes. Lethal virus outbreak? Check. Lethal virus that isn’t actually COVID-19 but clearly is? Check. A non-COVID-19 lethal virus that feels extraneous overall? Yep, and yet its predictability goes beyond that. In the Earth sees Wheatley aping Andrei Tarkovsky by taking liberally from Stalker, but it also sees him aping himself by rehashing A Field in England much more predictably.
It’s pretty clear stuff throughout. While the cities rage with illness, Dr. Martin Lowery (Joel Fry) heads on a mission to a test site deep in the forest. After getting to a lodge closer to civilization, he makes the acquaintance of Alma (Ellora Torchia). Alma is a park ranger tasked to guide him, and right after an anonymous figure attacks them, they come across a nature dweller named Zach (Reece Shearsmith). For whatever reason, they think he’s an all right guy to trust, but I forgot to mention that no one in this movie has even the most basic intuition, especially given their professions. Continue Reading →