You Are So Not Invited to My Bat Mitzvah
SimilarBring It On (2000), Fried Green Tomatoes (1991), Manhattan (1979), Mary Poppins (1964), Sahara (2005), To Die For (1995), Willy Wonka & the Chocolate Factory (1971), Wonder Boys (2000),
You Are So Not Invited to My Bat Mitzvah has a simple premise. Stacy Friedman (Sunny Sandler) wants her bat mitzvah, only a few weeks away, to be perfect. Using that premise, the film takes off, exploring the growing pains of middle school. Continue Reading →
Heart of Stone
SimilarAliens (1986), Armageddon (1998), Beverly Hills Cop (1984), Beverly Hills Cop II (1987), Code of Silence (1985), Diamonds Are Forever (1971), Dr. No (1962), Face/Off (1997), From Russia with Love (1963), Goldfinger (1964),
Live and Let Die (1973) Men in Black II (2002), North by Northwest (1959), On Her Majesty's Secret Service (1969), The Matrix Reloaded (2003), The Matrix Revolutions (2003),
In the 2023 sea of action movies, setting yourself apart from others becomes increasingly hard. John Wick: Chapter 4, Mission: Impossible- Dead Reckoning Part 1, Extraction 2, and more have sparked an action cinema revival. It’s a rebirth that I am incredibly grateful for, certainly. Continue Reading →
Cobweb
SimilarA Nightmare on Elm Street (1984), Constantine (2005), Silent Hill (2006),
Watch afterBarbie (2023) Meg 2: The Trench (2023), Spider-Man: Across the Spider-Verse (2023), Talk to Me (2023), The Nun II (2023),
StudioLionsgate,
As horror movies fans, we (and I’m very much including myself here) talk a good game about wanting to see something new and different in the genre, but there are plenty of old reliable tropes that still work with us. Zombies, kaiju, masked killers, all of those have a better than good chance of drawing in audiences, without trying too hard to bring a fresh new angle to anything. We also love child in peril and creepy kid movies, and Samuel Bodin’s Cobweb manages to incorporate both, to mixed results. Continue Reading →
Joy Ride
SimilarLittle Miss Sunshine (2006), The Holiday (2006),
StudioLionsgate,
Joy Ride is a film filled with rude and crude jokes throughout and often fairly ramshackle in its construction. Those with more delicate constitutions may be chagrined to discover it tends to reduce its few Caucasian characters of note to little more than punchlines. It also contains—let me consult the next page of my notes—more big laughs than any other film I’ve seen so far this year. Plus, carefully layered among its more outrageous elements, you’ll find a surprising amount of heart. The result is both a genuine delight and a wonderful alternative to the soul-deadening blockbusters that have glutted multiplexes this summer. Continue Reading →
You Hurt My Feelings
StudioFilmNation Entertainment,
The white lie at the center of You Hurt My Feelings isn’t harmless, nor does it spiral out to reveal lie upon lie, turning a marriage into a house of cards. Instead, it lies somewhere less explored: a trivial thing whose impact is understandably real. It’s a fine line to walk, but Nicole Holofcener does just that, and with a razor-sharp wit to boot. Continue Reading →
The Inspection
SimilarRope (1948),
Watch afterElemental (2023),
The Inspection, the narrative feature debut of writer-director Elegance Bratton, aims to be a fictionalized treatment of Bratton’s own real-life experiences as a young gay Black man attempting to turn his life around by, of all things, joining the Marines. As dramatic hooks go, that’s a compelling one, but the finished film seems strangely unwilling to grapple with it in any meaningful way. Instead, what could have been a unique, deeply personal narrative is eventually reduced to a well-meaning but largely undistinguished military melodrama that is ultimately too familiar for its own good. Continue Reading →