X-Men
Regardless of what one thinks of nostalgia—a toxic force or a pleasant refuge from the chaos that is existence—there’s no denying its significant role in shaping and guiding our pop culture. Rather than simply rallying against it, we must, from time to time, acknowledge it and evaluate its accuracy. The launching of X-Men ’97 gives The Spool a unique opportunity to look back at ’97’s progenitor, the early 90’s series X-Men, also commonly known as X-Men: The Animated Series.
However, this is not a task for one person. An objective of this size requires a team-up, in the Merry Marvel Tradition. Tim Stevens, The Spool’s steadfast TV Editor, whose stoicism conceals a maelstrom of doubt and rage, much like ruby quartz holds back optic blasts, tackled the first half of the series. Then, Justin Harrison, our near-feral writer with a gift for mentorship and a head full of implanted memories, closes things down with his take on the second half of season 3 and all of seasons 4 and 5.
With that, there’s no time to waste. Hop in the Blackbird and come with us for a look at the highlights—and occasional lowlight—of the X-Men! Continue Reading →
X-Men '97
SimilarBatman, Batman: The Animated Series, Birds of Prey, Blitz!! Strada 5, Captain Midnight, Captain Star, Deadly Class, Fantastic Four: World's Greatest Heroes, Flash Gordon, Gekisou Sentai Carranger, GoGo Sentai Boukenger, Inazuman, Invincible,
Justice League Mirai Sentai Timeranger, Ninpuu Sentai Hurricaneger, Power Rangers, Power Rangers Dino Force Brave, Sabrina, the Teenage Witch, Seijuu Sentai Gingaman, Silver Surfer, Sonic the Hedgehog, Spider-Man and His Amazing Friends, Spider-Man: The New Animated Series, Suicide Squad ISEKAI, Super Crooks, Sweet Tooth, Tales from the Crypt, Teenage Mutant Ninja Turtles, The Avengers: United They Stand, The Fantastic Four, The Flash, The Incredible Hulk, X-Men: Evolution,
As the saying goes, only '90s kids will remember the severe cultural impact X-Men: The Animated Series had on a particular strain of latchkey millennials. For many, the show, which ran from 1992-97 on the Fox Kids programming block, was the arguable apex of the Marvel superhero team's on-screen representations. It was thrilling, exciting, and for the time, surprisingly mature in its handling of the sociopolitical issues that spawned the comics in the first place -- racism, xenophobia, homophobia. It carried an element of serialized storytelling that was rare for kids' TV and took its characters and their respective issues seriously. Plus, that theme song just slammed.
https://www.youtube.com/watch?v=tQjdm8BdJO4
Disney+, in its infinite wisdom, knows how to keep the franchise going while they anxiously figure out how to incorporate the X-Men into the Marvel Cinematic Universe (Deadpool & Wolverine should give us a portent, however grim) -- and to keep the '90s kids satiated with a heaping helping of nostalgia while we wait. So goes X-Men '97, a straightforward continuation of The Animated Series that updates its "too sophisticated for kids" remit all the way to the present day and lands on something interesting, if far from perfect, in the process.
Picking up months after the original series' finale, X-Men '97 shows a world reeling from the death of Charles Xavier in the final episode of the animated series: Mutants are mistrusted more than ever, and a growing fifth column of right-wing human militants called the Friends of Humanity are gathering up mutants and taking them down with stolen Sentinel technology. Naturally, it's up to the X-Men to stop them -- if they can pull themselves together and work as a team. Scott Summers (Ray Chase) is the next natural choice for leader, but he's torn between his duty to his fellow X-Men and his desire to start a family with Jean Grey (Jennifer Hale), a move that has ol' Wolverine (Cal Dodd) itching with jealousy. Continue Reading →
真の仲間じゃないと勇者のパーティーを追い出されたので、辺境でスローライフすることにしました
Masked killers lose their popularity, vampires come and go, but haunted houses are forever. There will always be an audience for movies in which families are driven out of their homes by diabolical forces, especially if that home is built on a Native American burial ground, or the site of a mass murder. Shudder’s latest The Banishing has all the necessary components of a good haunted house movie, with luxurious set design and actors who are taking it all very seriously, but its dearth of any real scares keeps it from truly taking off. Continue Reading →