53 Best TV Shows Similar to Chernobyl
Franklin
SimilarA Fortunate Life, A Little Princess, A Respectable Trade,
Agatha Christie's Poirot Anna Karenina, Återkomsten, Atomic Train, Babel, Chicken Nugget, Cleopatra, Dead by Sunset, Dexter, Fallen, Game of Thrones, Gossip Girl, Heidi, Intruders, Jack the Ripper, Jewels, M*A*S*H, Monarch of the Glen, Murder in the Heartland, Oranges Are Not the Only Fruit, Peter and Paul,
Planet of the Apes Pope John Paul II,
Pride and Prejudice Scully Sherlock Holmes Son of the Morning Star, Tales from the Neverending Story, Teenage Mutant Ninja Turtles, The 100, The Far Pavilions, The Fire Next Time, The Legend of the Galactic Heroes: Die Neue These, The Lost World, The Murder of Mary Phagan, The Phantom of the Opera, The Serial Killer's Wife, The Shining, The Strain, The Sun Also Rises, Tiger Lily, 4 femmes dans la vie, Unterleuten: The Torn Village, Wedding Impossible, Wycliffe,
StudioApple Studios,
Michael Douglas's career so deeply connects him to as specific kind of late 20th/early 21st Century man. As a result, throwing him back to the 18th Century and into the body of Benjamin Franklin feels deeply counterintuitive. It is not surprising that Franklin—an adaptation of the book A Great Improvisation by Stacy Schiff—is one of the few period projects Douglas has done, joining the likes of The Ghost and the Darkness and those flashback scenes in the Ant-Man films. What is surprising, and to the series’ credit, is how quickly that strangeness recedes. It isn’t that Douglas manages to fade into the role of Franklin until he disappears entirely, but he does manage to recede enough that he doesn’t disrupt the show’s reality.
In some ways, Douglas proves a surprisingly apt selection. No stranger to playing womanizers on screen, Douglas easily finds the correct valence to portray Franklin’s specific flavor of late 18th-century skirt chaser. The metacommentary works in his favor as well, an aging icon who retains much of his skill but perhaps can no longer command the same buzz or box office returns embodying an aging icon whose mind remains sharp but whose body—and possibly will—has been beaten up by life and time. While almost a decade older than the Franklin he’s portraying, Douglas also excels at the moments where the audience witnesses the statesman energized like old times.
Thibault de Montalembert has neither the time nor the interest in your lame attempts at Call My Agent/Dix pour cent joke attempts. (AppleTV+)
Still, the script too frequently hamstrings the actor. Not bad by any means, the writing still suffers for trying to match Franklin’s reputation. It’s the old conundrum of trying to build a series, film, or play around a singular piece of art. How does a creator convince the audience that someone is singing the most fantastic song ever without truly writing the most fantastic song ever? Similarly, how do writers provide dialogue to what is, by historical reputation, one of the greatest wits in American History without simply quoting his greatest hits? Continue Reading →
The Sympathizer
SimilarA Dance to the Music of Time, A Fortunate Life, A Little Princess,
Agatha Christie's Poirot Anna Karenina, Återkomsten, Atomic Train, Babel, Blackeyes, Bodies, Christopher Columbus, Dark Winds, Dead by Sunset, Dexter, G.B.H., Game of Thrones, Gossip Girl, Heidi, Intruders, Jack the Ripper, Jewels, La Femme Nikita, Love You Just as You Are, M*A*S*H, Moeder, waarom leven wij?, Monarch of the Glen, Murder in the Heartland, Oranges Are Not the Only Fruit,
Planet of the Apes Pope John Paul II, Power Rangers Dino Force Brave,
Scully Sherlock Holmes Son of the Morning Star, The 100, The Chestnut Man, The Fire Next Time, The Lost World, The Murder of Mary Phagan, The Phantom of the Opera, The Shining, The Singing Detective, The Sleuth of Ming Dynasty, The Sun Also Rises, The Wimbledon Poisoner, Tiger Lily, 4 femmes dans la vie, Tira, Troubles, Ultraviolet, Unterleuten: The Torn Village, Viso d'angelo, Witchcraft, World War II: When Lions Roared, Wycliffe,
"All wars are fought twice. The first on the battlefield. The second time in memory." This line, emblazed in Vietnamese and English in the opening moments of The Sympathizer, is taken right from Vietnamese-American author Viet Thanh Nguyen's bestselling novel of the same name. Fittingly, it also serves as the thesis statement for Max's adaptation of the sprawling work, a fleet-of-foot miniseries that explores the malleability of identity and perception through the lens of the Vietnam War, and the dynamic lenses through which our lives and conflicts can be viewed.
That duality is encapsulated in the titular character, a French-Vietnamese biracial protagonist known only as The Captain (Hoa Xuande). From his childhood in Vietnam, he was always ostracized for being neither white nor Asian enough; his only solace came from his two friends, Bon (Fred Nguyen Khan) and Man (Duy Nguyen), who instead frame his heritage as being "twice of everything." Cut to Vietnam in the '70s, in the days leading up to the Fall of Saigon: He works for the Vietnamese Secret Police, interrogating Viet Cong prisoners at the behest of his arrogant martinet of a boss, The General (Toan Le). But he's also a communist mole, feeding information back to Man, who's now his North Vietnamese Army handler, and his daily life is a struggle to reconcile all of these varying identities.
That struggle is further compounded after the Fall of Saigon (an escape attempt rendered in the first episode as an exciting, terrifying barrage of booming explosions and a foot race to a fleeing cargo plane). The Captain and Bon make it to America, though not without some heartbreaking losses for the latter; now, the two are alone, the Captain still required to report on the General's activities while laying low for both his CIA handlers and the LA cultural figures who treat him as an object of curiosity. Continue Reading →
RIPLEY
SimilarA Fortunate Life, A Little Princess, A Respectable Trade,
Agatha Christie's Poirot Anna Karenina, Återkomsten, Atomic Train, Blackeyes, Christopher Columbus, Cleopatra, Dark Winds, Dead by Sunset, Dexter, Elizabeth R, G.B.H., Game of Thrones, Gossip Girl, Heidi, Intruders, Jack the Ripper, Jewels, Love You Just as You Are, M*A*S*H, Moeder, waarom leven wij?, Monarch of the Glen, Murder in the Heartland, Oranges Are Not the Only Fruit, Peter and Paul,
Planet of the Apes Pope John Paul II,
Pride and Prejudice Scully Sherlock Holmes Son of the Morning Star, Spies of Warsaw, Tales from the Neverending Story, The 100, The Buccaneers, The Chestnut Man, The Far Pavilions, The Fire Next Time, The Gold Robbers, The Legend of the Galactic Heroes: Die Neue These, The Lost World, The Murder of Mary Phagan, The Phantom of the Opera, The Serial Killer's Wife, The Singing Detective, The Sleuth of Ming Dynasty, The Wimbledon Poisoner, Tientsin Mystic, Tiger Lily, 4 femmes dans la vie, Tira, Troubles, Ultraviolet, Unterleuten: The Torn Village, Viso d'angelo, Wedding Impossible, Witchcraft, World War II: When Lions Roared, Wycliffe,
StudioShowtime Networks,
Tom Ripley doesn't exist. Not just in the sense that he's a fictional creation of thriller novelist extraordinaire Patricia Highsmith, no; as a man, Ripley is a chimera, a shadow, a formless void that hungrily sucks in whatever nourishment it can from whatever or whoever is around him. Damn the consequences. He's one of literature's (and, in the case of several cinematic adaptations, moviedom's) greatest conmen, a remora with nothing behind the eyes except the next game, the next mark, the next place to flee when suspicions run too high. Now, writer/director/showrunner Steven Zaillian has adapted the first of Highsmith's novels into an eight-episode miniseries for Netflix (it was originally slated for Showtime before they sold it), and by virtue of those pedigrees, it's maybe the best original series the streamer has put out all year.
When we first meet Tom Ripley (Andrew Scott), he's a low-level grifter eking out a living with some street-level mail fraud in New York City. But one day, a private dick (Bokeem Woodbine) taps him on the shoulder and hauls him in front of a wealthy shipping magnate (filmmaker Kenneth Lonergan) for a special mission: travel to Italy on his dime to find his layabout painter-wannabe son Dickie Greenleaf (Johnny Flynn) and bring him back home to fulfill his business responsibilities. Ripley doesn't know the man, but he agrees -- the chance to start all over somewhere else (and be bankrolled for it) is too great. So he swans off to Atrani, a small beachside villa where he ingratiates himself to the pampered Dickie and his writer girlfriend, Marge (Dakota Fanning), two people as insulated by their wealth as they are by their respective artistic mediocrities.
RIPLEY. (L to R) Dakota Fanning as Marge Sherwood and Johnny Flynn as Dickie Greenleaf in RIPLEY. Cr. Courtesy of Netflix © 2024
Unlike previous adaptations of the material, Zaillian barely (if ever) clues us into any kind of deeper humanity lurking under the surface for Tom Ripley. Matt Damon's version from The Talented Mr. Ripley was motivated by emotional impulse; here, Scott plays him like a reptile. There's something downright alien about his cold tilt of the head, those shark-like eyes (aided by Robert Elswit's chiaroscuro photography, which we'll get to later), the way his delivery teeters between blase deference and a flat, manipulative affect. He seems less like a desperate hanger-on than a predator, one all too happy to take rich people for everything they've got and discard them when he's sucked all the meat off their bones. He doesn't covet the lifestyles of the rich and famous, and even the script's frequent allusions to Ripley's subtextual lust for Dickie don't seem to fully account for his motivations. Continue Reading →
Parish
NetworkAMC+,
StarringGiancarlo Esposito,
Theoretically, Parish is an adaptation of the three-episode British series The Driver. In practice, the similarities boil down to “What if there was a driver who used to do crime and might start again?” Considering how standard the plot is—a reformed criminal pushed back into a life of crime—it seems strange to call it an adaptation.
To get specific, Gray Parish (Giancarlo Esposito) is a former wheelman who left crime a long time ago. In the time since, he met and married Ros (Paula Malcomson) and started a livery service. He and Ros had two children together as well, Maddox (Caleb Baumann) and Makayla (Arica Himmel). A year before the show’s story begins, Maddox was shot to death, and the killer remains at large. Gray has particularly struggled with the fallout. Additionally, his business is falling apart, seemingly from a combination of his grief and the economy.
Into this precarious situation arrives Colin (Skeet Ulrich), a friend of Parish’s from the old days. Colin, barely out of prison, has already gotten in trouble with The Horse (Zackary Momoh), leader of an increasingly powerful New Orleans gang, The Tongais. To keep himself alive, he needs Parish’s help in cleaning out a safe. Out of a mix of loyalty and his own financial desperation, Parish agrees. Unfortunately, one job is never just one job. Continue Reading →
X-Men
Regardless of what one thinks of nostalgia—a toxic force or a pleasant refuge from the chaos that is existence—there’s no denying its significant role in shaping and guiding our pop culture. Rather than simply rallying against it, we must, from time to time, acknowledge it and evaluate its accuracy. The launching of X-Men ’97 gives The Spool a unique opportunity to look back at ’97’s progenitor, the early 90’s series X-Men, also commonly known as X-Men: The Animated Series.
However, this is not a task for one person. An objective of this size requires a team-up, in the Merry Marvel Tradition. Tim Stevens, The Spool’s steadfast TV Editor, whose stoicism conceals a maelstrom of doubt and rage, much like ruby quartz holds back optic blasts, tackled the first half of the series. Then, Justin Harrison, our near-feral writer with a gift for mentorship and a head full of implanted memories, closes things down with his take on the second half of season 3 and all of seasons 4 and 5.
With that, there’s no time to waste. Hop in the Blackbird and come with us for a look at the highlights—and occasional lowlight—of the X-Men! Continue Reading →
X-Men '97
SimilarBatman, Batman: The Animated Series, Birds of Prey, Blitz!! Strada 5, Captain Midnight, Captain Star, Deadly Class, Fantastic Four: World's Greatest Heroes, Flash Gordon, Gekisou Sentai Carranger, GoGo Sentai Boukenger, Inazuman, Invincible,
Justice League Mirai Sentai Timeranger, Ninpuu Sentai Hurricaneger, Power Rangers, Power Rangers Dino Force Brave, Sabrina, the Teenage Witch, Seijuu Sentai Gingaman, Silver Surfer, Sonic the Hedgehog, Spider-Man and His Amazing Friends, Spider-Man: The New Animated Series, Suicide Squad ISEKAI, Super Crooks, Sweet Tooth, Tales from the Crypt, Teenage Mutant Ninja Turtles, The Avengers: United They Stand, The Fantastic Four, The Flash, The Incredible Hulk, X-Men: Evolution,
As the saying goes, only '90s kids will remember the severe cultural impact X-Men: The Animated Series had on a particular strain of latchkey millennials. For many, the show, which ran from 1992-97 on the Fox Kids programming block, was the arguable apex of the Marvel superhero team's on-screen representations. It was thrilling, exciting, and for the time, surprisingly mature in its handling of the sociopolitical issues that spawned the comics in the first place -- racism, xenophobia, homophobia. It carried an element of serialized storytelling that was rare for kids' TV and took its characters and their respective issues seriously. Plus, that theme song just slammed.
https://www.youtube.com/watch?v=tQjdm8BdJO4
Disney+, in its infinite wisdom, knows how to keep the franchise going while they anxiously figure out how to incorporate the X-Men into the Marvel Cinematic Universe (Deadpool & Wolverine should give us a portent, however grim) -- and to keep the '90s kids satiated with a heaping helping of nostalgia while we wait. So goes X-Men '97, a straightforward continuation of The Animated Series that updates its "too sophisticated for kids" remit all the way to the present day and lands on something interesting, if far from perfect, in the process.
Picking up months after the original series' finale, X-Men '97 shows a world reeling from the death of Charles Xavier in the final episode of the animated series: Mutants are mistrusted more than ever, and a growing fifth column of right-wing human militants called the Friends of Humanity are gathering up mutants and taking them down with stolen Sentinel technology. Naturally, it's up to the X-Men to stop them -- if they can pull themselves together and work as a team. Scott Summers (Ray Chase) is the next natural choice for leader, but he's torn between his duty to his fellow X-Men and his desire to start a family with Jean Grey (Jennifer Hale), a move that has ol' Wolverine (Cal Dodd) itching with jealousy. Continue Reading →
Manhunt
SimilarA Respectable Trade,
Agatha Christie's Poirot Anna Karenina, Babel, Dark Winds, Dexter, Erased, Fallen, Fate/Apocrypha, Fearless, Game of Thrones, Gossip Girl,
Hilda Furacão Jack the Ripper, Jewels, La Mante,
Little Women M*A*S*H, Miss Marple: Nemesis, Moeder, waarom leven wij?, Monarch of the Glen, More Tales of the City, Oranges Are Not the Only Fruit,
Planet of the Apes Pride and Prejudice Sherlock Holmes Soul Land 2: The Peerless Tang Clan, Super Pumped, Tales from the Neverending Story, The 100, The Buccaneers, The Far Pavilions, The Lost World, The Strain, The Sun Also Rises, The Wimbledon Poisoner, Tientsin Mystic, Troubles, Unorthodox, Viso d'angelo, Witchcraft, Wycliffe,
Studio3 Arts Entertainment, Apple Studios,
Making Abraham Lincoln or Hamish Linklater the least interesting thing about your television series is no easy feat. That's especially the case when it features Linklater playing the 16th President of the United States. Yet, somehow, the Monica Beletsky-created MANHUNT, adapted from the James L. Swanson tome of the same name, manages to do just that. And that is 100 percent a compliment.
Often forgotten is that Lincoln was not John Wilkes Booth (Anthony Boyle) and his co-conspirators’ only target. The schemers also marked Vice President Andrew Johnson (Glenn Morshower, an acting veteran turning in his best work.) and Secretary of State William Seward (Larry Pine) as targets. (The series additionally implies that the show’s lead, Secretary of War Edwin Stanton (Tobias Menzies), may have been on that list, but that doesn’t appear in historical texts.) By opening on the far larger plot that almost immediately unraveled due to bungling and cold feet, MANHUNT quickly asserts its intentions. While catching Booth is the series’ splashiest element, it is certainly not all it has on its mind.
Tobias Menzies has hat, will travel. (AppleTV+)
If anything, the eponymous search provides the show a means of taking stock of America immediately after the Civil War. Ping-ponging around in time, Manhunt provides a glimpse of how a collection of Americans experienced life after General Lee’s surrender. The derailing of a far more extensive restructuring of America feels every bit as mourned here as the fallen President. Continue Reading →
Apples Never Fall
NetworkPeacock,
SimilarA Fortunate Life, A Little Princess, A Respectable Trade,
Agatha Christie's Poirot Anna Karenina, Återkomsten, Atomic Train, Babel, Blackeyes, Bodies, Brides of Christ, Chicken Nugget, Christopher Columbus, Cleopatra, Dancing on the Edge, Dead by Sunset, Dexter, Elizabeth R, Fallen, Game of Thrones, Gossip Girl, Heidi, Intruders, Jewels, Love You Just as You Are, M*A*S*H, Miss Marple: Nemesis, More than Blue: The Series, Murder in the Heartland, Oranges Are Not the Only Fruit, Peter and Paul,
Planet of the Apes Pope John Paul II,
Pride and Prejudice Scully Sherlock Holmes Soul Land 2: The Peerless Tang Clan, Tales from the Neverending Story, The 4400, The Buccaneers, The Far Pavilions, The Lost World, The Murder of Mary Phagan, The Shining, The Singing Detective, The Sun Also Rises, Tira, Unterleuten: The Torn Village, Wedding Impossible, World War II: When Lions Roared, Wycliffe,
The expression, “The book was better,” has become a truism in adaptation, an assumption where the few exceptions only prove the rule. But what’s a creator to do when the source material is deeply flawed?
If you’re Apples Never Fall creator Melanie Marnich, you make several cosmetic changes to Liane Moriarty’s novel. The drama moves from Australia to West Palm Beach. The four Delaney children—Troy (Jake Lacy), Brooke (Essie Randles), Amy (Alison Brie), and Logan (Conor Merrigan Turner)—are no longer uniformly tall and olive-skinned. Quite the opposite, really, on the skin tone front. Relationships are shuffled a bit. Unfortunately, these changes fail to elevate the series.
The broad strokes of the plot itself are intriguing. The Delaney parents Joy (Annette Bening) and Stan (Sam Neill) have finally retired from a lifetime of running a tennis center, including their own stints as players and coaches. Rather than a delightful occasion, it churns up all manner of unprocessed relationship issues. Stan is cantankerous and competitive, oscillating between diminishing everyone around him with words and beating them all over the court. Joy, on the other hand, expected to spend her golden years catching up with her children, who lack the time or interest in doing the same. Continue Reading →
The Completely Made-Up Adventures of Dick Turpin
SimilarChicken Nugget, Family Guy, Ned's Declassified School Survival Guide, The Sound of Your Heart,
StarringNoel Fielding,
There is perhaps no more annoying phrase to hear from someone recommending a TV series in the streaming age than, “It’s very good, but you do have to wait a few episodes.” Regretfully, this writer nonetheless must employ it in reviewing The Completely Made-Up Adventures of Dick Turpin. When the series finds its footing, it is equally adept at the goofy gag and the droll declaration. It’s just that it doesn’t settle into that groove until the third of six episodes provided to critics.
The premise revolves around a decidedly ahistorical take on the British outlaw Dick Turpin (Noel Fielding, late of The Great British Baking Show). For those not steeped in 18th-century English criminal lore, Turpin was a highwayman who became something of a legend after his execution at the age of 33. Fans of new wave pop star Adam Ant may recall the singer briefly made Turpin a sartorial touchpoint with the inclusion of a tri-corner hat in his rotation.
In co-creators Claire Downes, Ian Jarvis, and Stuart Lane’s The Completely Made-Up Adventures of Dick Turpin, Fielding’s interpretation of the character hardly reflects the historical or legendary figure. Rather Turpin patrols the lawless outskirts of the Georgian era as a thoroughly modern man. A vegan who’s terrible with a gun and worse with his fists, he seems more drawn to the theatrics of criminality than the violence or even the money. As a result, he frequently confounds the odds through his stubborn insistence on making unusual choices and a healthy dose of good luck. Continue Reading →
Far North
NetworkAMC+,
StarringTemuera Morrison,
The New Zealand crime dramedy can’t wrangle its disparate tones into a satisfying whole.
In some ways, Far North offers viewers three shows in one. There’s the harrowing tale of a quartet of Chinese women, Bi (Xana Tang), Jin (Xiao Hu), Hui (Nikita Tu-Bryant), and Ling (Louise Jiang), trapped in a boat off the coast of New Zealand. They’re under the thumb of Cai (Fei Li), a capricious crime middle manager whose corner-cutting and incompetence have left them stranded and facing death by dehydration and starvation. Unfortunately, rescue is almost as unpleasant a prospect as dying. To be saved, Cai demands they either “pay” for the rescue by sinking themselves deeper into debt and servitude or killing one of their own.
On the mainland, a different kind of crime story is unfolding. A group of less-than-competent criminals working for Blaze (Fay Tofilau) believe they’re about to get the score of their lives. Employed by her to take in the meth the Chinese women are transporting, they think it’ll be as easy as loading up a camper and driving it a few towns away. Alas, between the delays and their lack of skills, complications rapidly arise. Continue Reading →
True Detective
SimilarAgatha Christie's Poirot Amazing Stories, American Horror Story, Angel, Are You Afraid of the Dark?, Babel, Bates Motel, Brimstone, Broadchurch, Brotherhood, Cruel Summer, CSI: Miami, Deadly Class, Dexter, Erased,
HIStory Jack the Ripper, La Mante, Life on Mars, Luther, Millennium, Murder in the Heartland, Murder Most Horrid, Nightmares & Dreamscapes: From the Stories of Stephen King, Renegade,
Sherlock Holmes Tarzan, The Chestnut Man, The Murder of Mary Phagan, The Singing Detective, The Sleuth of Ming Dynasty, The Twilight Zone, Viso d'angelo, Wycliffe,
Jodie Foster and Kali Reis shine as a pair of detectives investigating an increasingly surreal crime.
In Sara Gran’s Claire DeWitt mysteries, the title character is a brilliant, eccentric detective haunted by the unsolved disappearance of one of her closest friends. Her cases are vitally recognizable and beautifully surreal. When The Infinite Blacktop, the most recent entry in the series, was released in paperback, Gran held a giveaway, including a copy of the book and some fun feelies. On one of those, a pen, the following was printed: “Open your eyes and learn to see that truth lives in the ether.” In the course of thinking about Issa López (Tigers Are Not Afraid)’s excellent True Detective: Night Country, it’s a line that’s been on my mind.
It's the end of 2023. In Ennis, Alaska, the eccentric scientists of the Tsalal research station vanish just as the long polar night sets in. Ennis police chief Liz Danvers (Jodie Foster) and detective-turned-trooper Evangeline Navarro (Kali Reis) know that something is not right. Though bitterly estranged, the former partners share a drive to discover what happened at Tsalal and why. Their need to get to the truth only intensifies after the scientists are discovered in a ghastly, bizarre state—a collective corpsicle, all of them nude and visibly terrified. Continue Reading →
빨간풍선
Albert Lamorisse's flights of fancy come to Criterion courtesy of a gorgeous new box set.
There are few things more wondrous than a child's imagination -- its capacity to uplift itself beyond the pain and doldrums of everyday life to see the world through new eyes. One of cinema's greatest chroniclers of that imagination is French filmmaker Albert Lamorisse, a contemporary of the French New Wave who literally went high where his peers went low. His domain was in short, charming, powerful films often linking child protagonists to wonders both terrestrial and supernatural: an animal that captures their heart, or the unyielding power of flight. Now, Criterion has captured that magic in a new two-disc Blu-ray set containing the bulk of Lamorisse's flashes of cinematic whimsy.
The crown jewel of the pack, of course, is 1956's The Red Balloon, the only short film to ever receive a major Academy Award (for Best Original Screenplay; no small feat, considering the film, like many of Lamorisse's, relies on very little dialogue). It's a simple, elemental tale of a boy (Lamorisse's son, Pascal, a frequent star of his works) walking the grey, rundown streets of postwar Paris -- the Ménilmontant neighborhood, to be specific -- only to find himself befriending a bright red balloon that follows him everywhere. The two seem to build some ineffable connection, a bond that plays out through the streets of Ménilmontant. The boy's parents and teachers don't understand their friendship. His peers envy it, chasing them through the streets to tragic ends. Continue Reading →
Jul i Blodfjell
When you’re done watching the usual stuff, consider one of these very bizarre attempts at holiday cheer.
When AMC released their holiday programming lineup this year, it seemed like an attempt at a joke: in addition to a handful of aging comedies that have nothing to do with Christmas (or any other holiday for that matter), like Uncle Buck and Caddyshack, the now-ubiquitous Elf was scheduled to air no less than sixteen times in thirty days, and that wasn’t counting the December 2nd “anniversary celebration” marathon. Second to Elf was National Lampoon’s Christmas Vacation, scheduled to air twelve times. Filling out the remaining time not occupied by Elf or National Lampoon's Christmas Vacation was woeful C-tier fare nobody enjoyed the first time around, like Christmas With the Kranks and Fred Claus.
In the era of streaming, finding Christmas entertainment now requires keeping track of who has the rights to show what special or movie at any given time. Gone are the days of CBS airing A Charlie Brown Christmas every year for decades: now it's under the sole domain of Apple TV+. Its former companion How the Grinch Stole Christmas is available only on Peacock, and all manner of Muppet-related programming is exclusive to Disney+. If the pickings aren’t slim, then they’re disbursed like so much reindeer feed across multiple platforms. Continue Reading →
American Horror Story
A quick overview of the high highs and middling disappointments in horror this year.
With the social media app formerly known as Twitter now a shell of its former self, horror fans have been forced to return to Facebook to continue such interminable debates as “What does or doesn’t qualify something as ‘horror’?” “What the hell is ‘elevated horror,’ anyway?” “Are remakes inherently bad?” “Have horror movies gotten too ‘woke’?” “Were we wrong for letting women make horror?”
In a year when both David Gordon Green and M. Night Shyamalan released new movies, the horror discourse was especially spicy, and that’s before we get to the really interesting stories, like the surprise viral success of Skinamarink, which, with the way time seems to be passing nowadays, feels like it was released five years ago. Both indie and mainstream horror made daring choices, not looking to appeal to as broad a range of audiences as possible, and treating the genre as a serious art form, as opposed to just a machine that prints money. But the biggest surprise came in October, with the release of Saw X, the tenth film in a seemingly unkillable franchise, which ended up being one of the best, most coherent entries in the entire series. Continue Reading →
Scott Pilgrim Takes Off
Similar4400, A Dance to the Music of Time, A Step Into The Past, Ah! My Goddess, Amazing Stories, Animated Classics of Japanese Literature, Astro Boy, Atomic Train, Ben 10: Omniverse, Christopher Columbus,
Doctor Who Eureka Seven Fallen, Family Guy, Flower Boy Next Door, Golden Years,
Hospital Playlist I Dream of Jeannie, Intruders, Kamen Rider, Lost Love in Times, Mortal Kombat: Conquest, My Holo Love, Nine: Nine Time Travels, Phil of the Future,
Planet of the Apes Power Rangers, Power Rangers Dino Force Brave, Prehistoric Park, Renegade,
Scully Sentimental Journey, Sonny Boy, Stand Up!!, Star-Crossed Lovers, Tattooed Teenage Alien Fighters from Beverly Hills, Teenage Mutant Ninja Turtles, The 4400, The Dead Zone, The Far Pavilions, The Fire Next Time, The Girl from Tomorrow, The Lost Recipe, The Sarah Jane Adventures, The Slime Diaries: That Time I Got Reincarnated as a Slime, The Wallflower, Thunderstone, Ultraviolet, Wedding Impossible,
StarringKieran Culkin,
The ScienceSaru-produced animated series rebuilds rather than retells Bryan Lee O'Malley's beloved comic.
Late in the final volume of Bryan Lee O'Malley's 2004-2010 comic series Scott Pilgrim (Scott Pilgrim's Finest Hour), once the action's done and the hateful Gideon Graves has been slain, protagonists Scott Pilgrim and Ramona Flowers take a moment to process everything. Defeating Gideon meant facing not only the vicious misogynist swordsman but also their respective character flaws (It's telling that one of Scott's key moments is his realizing just how alike he and Gideon are, and by gaining that understanding, he affirms that, yeah, Gideon has so got to die).
There are a few candidates for Scott's actual finest hour in Scott Pilgrim's Finest Hour. His after-action conversation/reconciliation/renewal with Ramona is my pick. Bryan Lee O'Malley/Oni Press.
As Ramona says, change is one of life's constants, which applies to Scott Pilgrim's ventures into new mediums. Edgar Wright's thoroughly enjoyable movie shifted around characters and reworked some of Scott's flaws. The colorful, impeccably soundtracked, hair-tearingly difficult Ubisoft-produced video game ramped up the goofy save for one particularly pointed ending. And now, with the Netflix animated series Scott Pilgrim Takes Off, creator O'Malley—joined by co-writer and co-showrunner BenDavid Grabinski and animation studio ScienceSaru (with episode director Abel Góngora) have changed things up yet again. Rather than retell Scott Pilgrim as it's been since 2004 (a story already told, with riffs, as a comic, movie, and video game), the creative team opts for something more radical. It's a work as much in conversation with the Scott Pilgrim that came before as an adaptation. Continue Reading →
The Fall of the House of Usher
SimilarA Little Princess, Alias Grace, American Horror Story, Angel, Are You Afraid of the Dark?, Birds of Prey, Brides of Christ, Brimstone, Christopher Columbus, Dancing on the Edge, Elizabeth R, From, Further Tales of the City, Garth Marenghi's Darkplace, Golden Years, Heidi, House of Cards, Kamen Rider, Love You Just as You Are, Millennium, Miss Marple: Nemesis, More Tales of the City, Nightmares & Dreamscapes: From the Stories of Stephen King, Peter and Paul, Pope John Paul II, Power Rangers Dino Force Brave,
Pride and Prejudice Queen Cleopatra, Rescue Me,
Scully Spies of Warsaw, Tales from the Crypt, The Buccaneers, The Dead Zone, The Far Pavilions, The Gangster Chronicles, The Gold Robbers, The Shining, The Singing Detective, The Strain, The Sun Also Rises, The Wallflower, Three Days of Christmas, Tiger Lily, 4 femmes dans la vie, Ultraviolet, Unorthodox, White House Plumbers, World War II: When Lions Roared,
The most gripping moment in 2022’s Academy Award-winning documentary All the Beauty and the Bloodshed is when members of the now disgraced Sackler Family, whose pharmaceutical company manufactured and marketed the highly addictive painkiller Oxy-Contin, are ordered to attend a virtual hearing in which they're confronted by families who had been impacted by the drug. Listening to tragic stories of accidental overdoses, birth defects, and young men cut down in their prime due to a prescription medication that had been promoted as safe and non-addicting, the Sacklers could not look more bored, even slightly annoyed. It’s a chilling reminder that extreme wealth often results in a loss of empathy, if not one’s entire soul. Continue Reading →
The Goldbergs
NetworkNBC,
Similar'Allo 'Allo!, Astro Boy, Catterick, Fawlty Towers, Garth Marenghi's Darkplace,
Great News I Dream of Jeannie, LA to Vegas, Ned's Declassified School Survival Guide, Off Centre, Red Dwarf, Taxi, That '70s Show,
The Cara Williams Show The John Larroquette Show The War at Home, Two and a Half Men,
In 1983, a group of crooks broke into a vault at the Heathrow International Trading Estate in London, patrolled by Brink’s Mat security conglomeration. The Brinks company was already famous for a famous robbery, one that was carried out in the '50s in the North End in Boston, an incident that turned into a charmingly strange movie by William Friedkin in 1978. Continue Reading →
Winning Time: The Rise of the Lakers Dynasty
Similar'Allo 'Allo!, 2Moons: The Series, Akashic Records of Bastard Magic Instructor, Animated Classics of Japanese Literature, Astro Boy, Dead by Sunset, Dexter, Fallen, Fate/Apocrypha, Fearless, Game of Thrones, Garth Marenghi's Darkplace, Gossip Girl,
Hilda Furacão House of Cards, Jewels,
Little Women Monarch of the Glen, Mr. Mercedes, Ned's Declassified School Survival Guide, Oranges Are Not the Only Fruit,
Planet of the Apes Pride and Prejudice Sherlock Holmes Super Pumped, The Alienist, The Buccaneers, The Far Pavilions, The Moon Embracing the Sun, The Strain, The Sun Also Rises, Tientsin Mystic,
StudioHyperobject Industries,
There’s no denying Winning Time: The Rise of the Lakers Dynasty remains entertaining in its second season. There’s no denying that its panoply of digital tricks holds the viewer’s attention, whether what’s on-screen is a scrimmage gone awry or a father meeting his child for the first time. But does that mean it’s good? Continue Reading →
Good Omens
SimilarAgatha Christie's Poirot Akashic Records of Bastard Magic Instructor, American Horror Story, Animated Classics of Japanese Literature, Dexter, Fate/Apocrypha, Fearless, Game of Thrones, Gossip Girl,
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Planet of the Apes Pride and Prejudice Sherlock Holmes Star and Sky: Star in My Mind, Tales from the Neverending Story, The Lost World, The Moon Embracing the Sun, The Shining, Wycliffe,
StarringJon Hamm,
The 2019 adaptation of Neil Gaiman and Terry Pratchett’s 1990 novel Good Omens was a charming show that succeeded in translating the book’s strengths and weaknesses to the small screen. It was clever like the book, with an ingenious plot (what if there had been a mix-up at the hospital and the Antichrist went home with the wrong family) that parodied The Omen while conjuring an apocalyptic tale all its about an angel and demon whose millennials-long rivalry grew from mutual antagonism, to grudging respect, and finally admiration and even a kind of love. But it also carried over the book’s weaker elements, its wonky pacing, plurality of uninteresting characters, and the fact that the first two thirds of the story is essentially table setting for the final third. Continue Reading →
What We Do in the Shadows
Season 5 of What We Do in the Shadows premieres tomorrow, and you might have some difficulty parsing that it’s already there. Many sitcoms tend to run out of steam by season 5 (you’ll note that exactly when Fonzie jumped the shark), resorting to dropping plot arcs without explanation, swapping out established characters for newer, less interesting characters, setting up tiresome romances, and relying on gimmick episodes, like flashbacks, clip shows, and musicals. Despite its supernatural premise, What We Do in the Shadows still follows much of the standard sitcom structure, so it’s a minor miracle that it’s still the freshest, funniest half-hour show on television right now, without anyone having to put on a fat suit or get stuck in an elevator. Continue Reading →