7 Best TV Shows Similar to Corín Tellado: Mis mejores historias de amor
Palm Royale
There’s something undeniably inspired about casting Kristin Wiig as Maxine Simmons in Palm Royale. A social climber attempting to ingratiate herself into late 60s Palm Beach high society, Simmons shares with Wiig a certain constant desire to change herself. The actor's years at Saturday Night Live and subsequent film roles have established her as a chameleonic performer. She has enough versatility to play everyone from the painfully grounded to live-action cartoon characters. In this case, Wiig pours that talent into a woman trying desperately to be a different version of herself. As a kind of middle-aged conservative version of Tom Ripley, Wiig does indeed excel. The actor invests a mix of brute force cunning and barely hidden desperation in Simmons. That makes the would-be social maven compelling and repulsive in equal measure. Her machinations are too intriguing to ignore, but her very presence can be almost unendurable, especially for viewers with an overactive sense of vicarious embarrassment. Kristen Wiig and Allison Janney try to hash it out. (AppleTV+) The show also adds an interesting layer to her performance of wealth and class. Simmons’ claims often sound outlandish, the scrambling lies of someone trying to stay one step ahead of being exposed. However, Palm Royale slowly confirms a great many of them. Unlike Ripley or Saltburn’s Oliver Quick, she’s not a total fabrication. She has the credentials for the inner circle, but can’t stomach the time it takes. Continue Reading →
FEUD
Gus Van Sant & Jon Robin Baitz collaborate on a miniseries rich in both vintage style & human drama. Nora Ephron once said “Everything is copy.” When you’re a writer, anything you see, experience, or hear, even in confidence, might be filed away to use as creative fodder later, despite the potentially sketchy ethics of it. If you’re lucky, maybe your friends won’t recognize themselves quite as easily as the friends of Truman Capote did when he wrote “La Côte Basque, 1965,” a short story published in Esquire. Though the story purported to be fiction, it was thinly veiled fiction at best. So thin, in fact, you could see right through it. The events leading up to the publication of Capote’s work in 1975, and the fallout afterward, is the focus of Feud: Capote vs. The Swans, a limited series that at first blush looks like it’s going to be camp nonsense in the vein of the interminable Real Housewives franchise, but has a deep sense of melancholy at its core. With the first four episodes directed by Gus Van Sant, where an easy approach would be to clearly delineate villains and heroes from the beginning, instead it offers something a little more complicated, and asks some uncomfortable questions about friendship, creativity, and trust. Continue Reading →
True Detective
Jodie Foster and Kali Reis shine as a pair of detectives investigating an increasingly surreal crime. In Sara Gran’s Claire DeWitt mysteries, the title character is a brilliant, eccentric detective haunted by the unsolved disappearance of one of her closest friends. Her cases are vitally recognizable and beautifully surreal. When The Infinite Blacktop, the most recent entry in the series, was released in paperback, Gran held a giveaway, including a copy of the book and some fun feelies. On one of those, a pen, the following was printed: “Open your eyes and learn to see that truth lives in the ether.” In the course of thinking about Issa López (Tigers Are Not Afraid)’s excellent True Detective: Night Country, it’s a line that’s been on my mind. It's the end of 2023. In Ennis, Alaska, the eccentric scientists of the Tsalal research station vanish just as the long polar night sets in. Ennis police chief Liz Danvers (Jodie Foster) and detective-turned-trooper Evangeline Navarro (Kali Reis) know that something is not right. Though bitterly estranged, the former partners share a drive to discover what happened at Tsalal and why. Their need to get to the truth only intensifies after the scientists are discovered in a ghastly, bizarre state—a collective corpsicle, all of them nude and visibly terrified. Continue Reading →
Slow Horses
The AppleTV+ spy series retains its humor but gives viewers its most tightly plotted effort yet. Slow Horses Season 3 reiterates how the series differs from so many other TV shows. While critics frequently discuss film as a director’s medium, television tends to be more showrunner—and thus writer—driven. While Horses indeed derives many of its pleasures from the writers—the returning trio of Will Smith, Jonny Stockwood, and Mark Denton once again man the pens—each season’s unique tone owes to its single director. James Hawes made the series’ debut season a workplace comedy where the occasional gun battle might break out. Season 2 darkened or ditched much of the comedy for a bleaker, higher action affair under the direction of Jeremy Lovering. In Slow Horses Season 3, Saul Metzstein doesn’t push the team back into the offices. If anything, Slough House appears even less than in Season 2. However, he does re-up some of the mismatched colleagues’ humor, particularly when it comes to the team’s most recent additions, gambling addict Marcus (Kadiff Kirwan) and drug addict Shirley (Aimee-Ffion Edwards). He also further deepens the emotional stakes with a light touch, adding depth to ever-growing complications. Continue Reading →
Lawmen: Bass Reeves
Screenwriter Josh Olsen (A History of Violence) used to tell anyone who would listen that his passion project was an account of the life of Bass Reeves, a man whose life and career were the stuff of fables. Reeves was the first Black deputy sheriff west of the Mississippi, with an arrest record in the thousands by most accounts. Best of all, legends assert that he almost never killed or shot anyone he didn’t have to. Continue Reading →
Lessons in Chemistry
Despite the lead character’s penchant for brutal honesty and empirical truths, Lessons in Chemistry is not a series viewers should turn to for a gritty look at early 60s gender relations, race relations, or workers’ rights. That’s not to say the word of the Lee Eisenberg-created series—adapted from a Bonnie Garmus novel of the same name—exists in a conflict-free world. It’s there’s a bittersweet gentleness that underpins and surrounds the proceedings, conflicts and all. Continue Reading →
The Wheel of Time
Big-budget fantasy lovers have reason to celebrate this week with Amazon Studio’s The Wheel of Time Season 2's debut. With some careful tweaking by Showrunner Rafe Judkins, Robert Jordan’s epic fantasy of feminine magic and quests of destiny came to life in an impressive if uneven first season. Now, the stakes are higher, the dangers subtler, and the ever-expanding cast of characters more compelling. Continue Reading →