5 Best TV Shows Similar to Whoopi
One Day at a Time
Netflix’s new romance limited series offers a thoughtful, warm adaptation of the 2009 novel. The hook of author David Nicholls’ 2009 novel is irresistible. Readers catch up with two former classmates who are something more than friends but not quite lovers on the same day, July 19, every year from 1988 to 2008. It’s no wonder it has managed two adaptations in the 15 years since its release—first as a 2011 movie directed by Lone Scherfig from a script by Nicholls himself and now as a limited series created by Nicole Taylor, with only one Nicholls’ script among the fourteen episodes. Dexter Mayhew (Leo Woodall) is handsome, charismatic, and just rich enough not to worry about making a plan for his future. Emma Morley (Ambika Mod) is also quite attractive—although she can’t (or won’t) see it—and from a working-class background that makes her feel as though she can’t pursue her clear goal for the future: to become a writer. They travel in different circles, but on the night of graduation, they end up falling into her bed. While they kiss plenty, it never goes further, Emma preferring to chat despite her massive and evident crush on Dexter. Continue Reading →
Hazbin Hotel
Messy writing keeps this solid cast from shepherding Hotel to strong Yelp scores. Hazbin Hotel is not for me. That is not a bad thing. If every piece of media appealed to everyone, the homogeneity would be stifling. I can see the appeal of a big, bombastic, gleefully violent, heart-on-its-sleeve musical cartoon for grown-ups (heck, I've enjoyed my fair share of them)—I just don't click with the show's ice-pop made-of-blood aesthetic, and I'm not a huge show-tune guy. Acknowledging the disconnect between the show's vibe and my personal tastes, as a critic, I have two primary takeaways from Hazbin Hotel's first four episodes: In terms of animation and voicework, Hazbin Hotel is solid—and Keith David's turn as the burnt-out bartending demon Husk is a standout among a game cast. In terms of writing, Hazbin Hotel is a mess, awkwardly careening between silly and dramatic without precision—most noticeably when it delves into the horrific life of one of its lead players. Hazbin Hotel's aesthetic is built on contrasts—primarily between series heroine Charlie Morningstar (Erika Henningsen)'s deliberate good cheer, bright smiles, and crayon drawings and the continual viciousness of Hell and most of its denizens. Visually, the cast (both the show's core ensemble and the wider community of Hell) is expressive and distinct. Hell's assorted players and agents are united across factions by the frequent use of red and black either alone or in concert in costume design. Each faction, in turn, has its own visual signifiers—the staff and residents of the Hotel tend towards a hybrid of casual and professional wear, while a powerful gangster clique goes all in on decadence. Heaven's murderous, brotastic angels, meanwhile, opt for a more uniform style. Continue Reading →
Frasier
When Frasier premiered in the fall of 1993 it had massive shoes to fill. That's probably an understatement. Its parent show, Cheers, was a critical and commercial monster in a way that can only happen when there are only three shows for two hundred million people to choose from. It was nominated for almost two hundred Emmys over the course of its eleven-year run, and its series finale aired to 90 million people (40% of the country’s then population) three months before Frasier’s start. So yeah, expectations were pretty high, and Frasier ended up pretty much meeting them all. While never as popular as Cheers (nothing has been as popular as Cheers since Cheers), it was nevertheless a solid commercial hit that carved out its own identity and won more Emmys than its parent show over the course of its own eleven-year run. A lot of that success was rooted in Frasier’s ability as its own, independent show with its own characters and rhythms instead of being Cheers 2.0. Continue Reading →
The Goldbergs
In 1983, a group of crooks broke into a vault at the Heathrow International Trading Estate in London, patrolled by Brink’s Mat security conglomeration. The Brinks company was already famous for a famous robbery, one that was carried out in the '50s in the North End in Boston, an incident that turned into a charmingly strange movie by William Friedkin in 1978. Continue Reading →
Up Here
There’s a subset of “Will they or won’t they?” stories that are perhaps best described as “They will, then they won’t, then they will again, then they won’t again, and so on.” There are certainly fans of this kind of story. Arguably the most popular sitcom of the past 40 years, Friends, had Ross and Rachel bouncing together and apart repeatedly. Hulu’s new musical series Up Here is the latest example of that rom-com subset of a subset. Continue Reading →